{"id":8770,"date":"2022-02-01T14:31:17","date_gmt":"2022-02-01T13:32:04","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&#038;p=8770"},"modified":"2023-05-24T23:16:31","modified_gmt":"2023-05-24T21:16:31","slug":"el-jardin-de-los-senderos-que-se-bifurcan","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/el-jardin-de-los-senderos-que-se-bifurcan\/","title":{"rendered":"El Jard\u00edn de los Senderos que se Bifurcan"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":9102,"template":"","meta":[],"product_cat":[61],"product_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"description\" content=\"Nomm\u00e9 d&#039;apr\u00e8s une histoire de Jorge Luis Borges du m\u00eame titre, mon livre El Jard\u00edn de Senderos Que Se Bifurcan explore le processus de tra\u00e7age de mes origines au milieu de r\u00e9cits familiaux contradictoires. Originaire du P\u00e9rou et orpheline en bas \u00e2ge, j&#039;ai \u00e9t\u00e9 adopt\u00e9e dans une famille transraciale de la classe ouvri\u00e8re am\u00e9ricaine, et \u00e9lev\u00e9e comme jumelle de mon fr\u00e8re afro-am\u00e9ricain. Cette exp\u00e9rience pr\u00e9coce de la diff\u00e9rence raciale a \u00e9tabli ma pr\u00e9occupation permanente pour l&#039;appartenance, l&#039;orphelinat, l&#039;exil ancestral, les origines et la mani\u00e8re dont ces constructions sont \u00e9crites sur le corps et dans les archives. Dans ce projet, je ne cherche pas \u00e0 retrouver une identit\u00e9 cach\u00e9e par les circonstances de ma naissance et de mon adoption, mais plut\u00f4t \u00e0 construire une histoire psychique, \u00e0 imaginer des lign\u00e9es, \u00e0 inventer des m\u00e8res et \u00e0 ressusciter des anc\u00eatres dans un effort pour comprendre ma place dans les r\u00e9cits politiques, sociaux et historiques plus larges de mon lieu de naissance \u00e0 Lima, vers 1979.Le travail oscille entre des photographies vernaculaires trouv\u00e9es, mes propres \u00e9crits et photographies, et des images que je m&#039;approprie dans des publications politiques de 1979 que j&#039;ai collect\u00e9s \u00e0 Lima. Je m&#039;int\u00e9resse \u00e0 la violence \u00e0 l&#039;\u00e9gard des femmes et aux histoires de femmes, d&#039;enfants disparus et de migration forc\u00e9e ou de d\u00e9placement \u00e0 la suite du traumatisme de la guerre. Enfin, il existe de nombreux portraits d&#039;autres femmes n\u00e9es la m\u00eame ann\u00e9e que moi au P\u00e9rou - mes &quot;jumelles du temps&quot; repr\u00e9sent\u00e9es tout au long du livre. J&#039;ai trouv\u00e9 ces femmes gr\u00e2ce \u00e0 des annonces que j&#039;ai plac\u00e9es \u00e0 Lima et dans les environs, et j&#039;ai recueilli leurs histoires orales. Tout au long du projet, j&#039;utilise ce mat\u00e9riel et une combinaison de strat\u00e9gies d&#039;erreur de traduction, de projection et de re-photographie comme moyen de r\u00e9cup\u00e9rer, de r\u00e9\u00e9crire, de sp\u00e9culer et d&#039;imaginer une histoire perdue.Named after a Borges story by the same title, my book El Jard\u00edn de Senderos Que Se Bifurcan explores the process of tracing my origins amidst contradictory familial narratives. Indigenous to Peru and orphaned as an infant I was adopted into a working class transracial family from the American coal country and raised as a twin to my African American brother. This early experience of racial difference established my ongoing preoccupation with belonging, orphanhood, ancestral exile, origins, and the way these constructs are written on the body and in the archive. In this project, I set out not to recover some stable authentic identity hidden by the circumstances of my birth and adoption, but rather to build a psychic history, to imagine lineages, to invent mothers, and to resurrect ancestors in an effort to understand my place within the larger political, social, and historical narratives of my birth place\u2013 Lima, Peru circa 1979.The work itself moves between found vernacular photographs, my own original writing and photography, and appropriated images taken from 1979 political magazines that I collected in Lima, Peru. I am interested in sites of violence against women, and the stories of missing women, children, and forced migration or displacement as a result of the trauma of war. Finally, there are many portraits of other women born the same year as me in Lima, Peru, 1979\u2013 my &quot;time twins&quot; depicted throughout the book. I found these women through ads I placed in and around Lima, and I collected their oral histories. Throughout the project I use this material and a combination of mistranslation, projection, and re-photographic strategies as a way to reclaim, rewrite, speculate, and imagine a lost history.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/el-jardin-de-los-senderos-que-se-bifurcan\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El Jard\u00edn de los Senderos que se Bifurcan Tarrah Krajnak  - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"Nomm\u00e9 d&#039;apr\u00e8s une histoire de Jorge Luis Borges du m\u00eame titre, mon livre El Jard\u00edn de Senderos Que Se Bifurcan explore le processus de tra\u00e7age de mes origines au milieu de r\u00e9cits familiaux contradictoires. Originaire du P\u00e9rou et orpheline en bas \u00e2ge, j&#039;ai \u00e9t\u00e9 adopt\u00e9e dans une famille transraciale de la classe ouvri\u00e8re am\u00e9ricaine, et \u00e9lev\u00e9e comme jumelle de mon fr\u00e8re afro-am\u00e9ricain. Cette exp\u00e9rience pr\u00e9coce de la diff\u00e9rence raciale a \u00e9tabli ma pr\u00e9occupation permanente pour l&#039;appartenance, l&#039;orphelinat, l&#039;exil ancestral, les origines et la mani\u00e8re dont ces constructions sont \u00e9crites sur le corps et dans les archives. Dans ce projet, je ne cherche pas \u00e0 retrouver une identit\u00e9 cach\u00e9e par les circonstances de ma naissance et de mon adoption, mais plut\u00f4t \u00e0 construire une histoire psychique, \u00e0 imaginer des lign\u00e9es, \u00e0 inventer des m\u00e8res et \u00e0 ressusciter des anc\u00eatres dans un effort pour comprendre ma place dans les r\u00e9cits politiques, sociaux et historiques plus larges de mon lieu de naissance \u00e0 Lima, vers 1979.Le travail oscille entre des photographies vernaculaires trouv\u00e9es, mes propres \u00e9crits et photographies, et des images que je m&#039;approprie dans des publications politiques de 1979 que j&#039;ai collect\u00e9s \u00e0 Lima. Je m&#039;int\u00e9resse \u00e0 la violence \u00e0 l&#039;\u00e9gard des femmes et aux histoires de femmes, d&#039;enfants disparus et de migration forc\u00e9e ou de d\u00e9placement \u00e0 la suite du traumatisme de la guerre. Enfin, il existe de nombreux portraits d&#039;autres femmes n\u00e9es la m\u00eame ann\u00e9e que moi au P\u00e9rou - mes &quot;jumelles du temps&quot; repr\u00e9sent\u00e9es tout au long du livre. J&#039;ai trouv\u00e9 ces femmes gr\u00e2ce \u00e0 des annonces que j&#039;ai plac\u00e9es \u00e0 Lima et dans les environs, et j&#039;ai recueilli leurs histoires orales. Tout au long du projet, j&#039;utilise ce mat\u00e9riel et une combinaison de strat\u00e9gies d&#039;erreur de traduction, de projection et de re-photographie comme moyen de r\u00e9cup\u00e9rer, de r\u00e9\u00e9crire, de sp\u00e9culer et d&#039;imaginer une histoire perdue.Named after a Borges story by the same title, my book El Jard\u00edn de Senderos Que Se Bifurcan explores the process of tracing my origins amidst contradictory familial narratives. Indigenous to Peru and orphaned as an infant I was adopted into a working class transracial family from the American coal country and raised as a twin to my African American brother. This early experience of racial difference established my ongoing preoccupation with belonging, orphanhood, ancestral exile, origins, and the way these constructs are written on the body and in the archive. In this project, I set out not to recover some stable authentic identity hidden by the circumstances of my birth and adoption, but rather to build a psychic history, to imagine lineages, to invent mothers, and to resurrect ancestors in an effort to understand my place within the larger political, social, and historical narratives of my birth place\u2013 Lima, Peru circa 1979.The work itself moves between found vernacular photographs, my own original writing and photography, and appropriated images taken from 1979 political magazines that I collected in Lima, Peru. I am interested in sites of violence against women, and the stories of missing women, children, and forced migration or displacement as a result of the trauma of war. Finally, there are many portraits of other women born the same year as me in Lima, Peru, 1979\u2013 my &quot;time twins&quot; depicted throughout the book. I found these women through ads I placed in and around Lima, and I collected their oral histories. Throughout the project I use this material and a combination of mistranslation, projection, and re-photographic strategies as a way to reclaim, rewrite, speculate, and imagine a lost history.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/produit\/el-jardin-de-los-senderos-que-se-bifurcan\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire &amp; co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-24T21:16:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/El-Jardin-de-senderos-que-se-bifurcan-Tarrah-Krajnak-Dais-Books-cover.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2125\" \/>\n\t<meta property=\"og:image:height\" content=\"1417\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.delpireandco.com\/#organization\",\"name\":\"delpire & co\",\"url\":\"https:\/\/www.delpireandco.com\/\",\"sameAs\":[\"https:\/\/www.facebook.com\/delpireandco\",\"https:\/\/www.instagram.com\/delpireandco\/\",\"https:\/\/fr.linkedin.com\/company\/delpire-co\",\"https:\/\/www.youtube.com\/c\/delpireco\",\"https:\/\/twitter.com\/DelpireEditeur\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.delpireandco.com\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/logotype-delpire.png\",\"contentUrl\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/logotype-delpire.png\",\"width\":307,\"height\":55,\"caption\":\"delpire & co\"},\"image\":{\"@id\":\"https:\/\/www.delpireandco.com\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.delpireandco.com\/#website\",\"url\":\"https:\/\/www.delpireandco.com\/\",\"name\":\"delpire &amp; co\",\"description\":\"Librairie Photo - \\u00c9diteur - photobooks\",\"publisher\":{\"@id\":\"https:\/\/www.delpireandco.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.delpireandco.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/el-jardin-de-los-senderos-que-se-bifurcan\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/El-Jardin-de-senderos-que-se-bifurcan-Tarrah-Krajnak-Dais-Books-cover.jpg\",\"contentUrl\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/El-Jardin-de-senderos-que-se-bifurcan-Tarrah-Krajnak-Dais-Books-cover.jpg\",\"width\":2125,\"height\":1417,\"caption\":\"El-Jardin-de-senderos-que-se-bifurcan-Tarrah-Krajnak-Dais-Books-cover\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/el-jardin-de-los-senderos-que-se-bifurcan\/#webpage\",\"url\":\"https:\/\/www.delpireandco.com\/en\/produit\/el-jardin-de-los-senderos-que-se-bifurcan\/\",\"name\":\"El Jard\\u00edn de los Senderos que se Bifurcan Tarrah Krajnak - delpire &amp; co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/el-jardin-de-los-senderos-que-se-bifurcan\/#primaryimage\"},\"datePublished\":\"2022-02-01T13:32:04+00:00\",\"dateModified\":\"2023-05-24T21:16:31+00:00\",\"description\":\"Nomm\\u00e9 d'apr\\u00e8s une histoire de Jorge Luis Borges du m\\u00eame titre, mon livre El Jard\\u00edn de Senderos Que Se Bifurcan explore le processus de tra\\u00e7age de mes origines au milieu de r\\u00e9cits familiaux contradictoires. Originaire du P\\u00e9rou et orpheline en bas \\u00e2ge, j'ai \\u00e9t\\u00e9 adopt\\u00e9e dans une famille transraciale de la classe ouvri\\u00e8re am\\u00e9ricaine, et \\u00e9lev\\u00e9e comme jumelle de mon fr\\u00e8re afro-am\\u00e9ricain. Cette exp\\u00e9rience pr\\u00e9coce de la diff\\u00e9rence raciale a \\u00e9tabli ma pr\\u00e9occupation permanente pour l'appartenance, l'orphelinat, l'exil ancestral, les origines et la mani\\u00e8re dont ces constructions sont \\u00e9crites sur le corps et dans les archives. Dans ce projet, je ne cherche pas \\u00e0 retrouver une identit\\u00e9 cach\\u00e9e par les circonstances de ma naissance et de mon adoption, mais plut\\u00f4t \\u00e0 construire une histoire psychique, \\u00e0 imaginer des lign\\u00e9es, \\u00e0 inventer des m\\u00e8res et \\u00e0 ressusciter des anc\\u00eatres dans un effort pour comprendre ma place dans les r\\u00e9cits politiques, sociaux et historiques plus larges de mon lieu de naissance \\u00e0 Lima, vers 1979.Le travail oscille entre des photographies vernaculaires trouv\\u00e9es, mes propres \\u00e9crits et photographies, et des images que je m'approprie dans des publications politiques de 1979 que j'ai collect\\u00e9s \\u00e0 Lima. Je m'int\\u00e9resse \\u00e0 la violence \\u00e0 l'\\u00e9gard des femmes et aux histoires de femmes, d'enfants disparus et de migration forc\\u00e9e ou de d\\u00e9placement \\u00e0 la suite du traumatisme de la guerre. Enfin, il existe de nombreux portraits d'autres femmes n\\u00e9es la m\\u00eame ann\\u00e9e que moi au P\\u00e9rou - mes \\\"jumelles du temps\\\" repr\\u00e9sent\\u00e9es tout au long du livre. J'ai trouv\\u00e9 ces femmes gr\\u00e2ce \\u00e0 des annonces que j'ai plac\\u00e9es \\u00e0 Lima et dans les environs, et j'ai recueilli leurs histoires orales. Tout au long du projet, j'utilise ce mat\\u00e9riel et une combinaison de strat\\u00e9gies d'erreur de traduction, de projection et de re-photographie comme moyen de r\\u00e9cup\\u00e9rer, de r\\u00e9\\u00e9crire, de sp\\u00e9culer et d'imaginer une histoire perdue.Named after a Borges story by the same title, my book El Jard\\u00edn de Senderos Que Se Bifurcan explores the process of tracing my origins amidst contradictory familial narratives. Indigenous to Peru and orphaned as an infant I was adopted into a working class transracial family from the American coal country and raised as a twin to my African American brother. This early experience of racial difference established my ongoing preoccupation with belonging, orphanhood, ancestral exile, origins, and the way these constructs are written on the body and in the archive. In this project, I set out not to recover some stable authentic identity hidden by the circumstances of my birth and adoption, but rather to build a psychic history, to imagine lineages, to invent mothers, and to resurrect ancestors in an effort to understand my place within the larger political, social, and historical narratives of my birth place\\u2013 Lima, Peru circa 1979.The work itself moves between found vernacular photographs, my own original writing and photography, and appropriated images taken from 1979 political magazines that I collected in Lima, Peru. I am interested in sites of violence against women, and the stories of missing women, children, and forced migration or displacement as a result of the trauma of war. Finally, there are many portraits of other women born the same year as me in Lima, Peru, 1979\\u2013 my \\\"time twins\\\" depicted throughout the book. I found these women through ads I placed in and around Lima, and I collected their oral histories. 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Originaire du P\u00e9rou et orpheline en bas \u00e2ge, j'ai \u00e9t\u00e9 adopt\u00e9e dans une famille transraciale de la classe ouvri\u00e8re am\u00e9ricaine, et \u00e9lev\u00e9e comme jumelle de mon fr\u00e8re afro-am\u00e9ricain. Cette exp\u00e9rience pr\u00e9coce de la diff\u00e9rence raciale a \u00e9tabli ma pr\u00e9occupation permanente pour l'appartenance, l'orphelinat, l'exil ancestral, les origines et la mani\u00e8re dont ces constructions sont \u00e9crites sur le corps et dans les archives. Dans ce projet, je ne cherche pas \u00e0 retrouver une identit\u00e9 cach\u00e9e par les circonstances de ma naissance et de mon adoption, mais plut\u00f4t \u00e0 construire une histoire psychique, \u00e0 imaginer des lign\u00e9es, \u00e0 inventer des m\u00e8res et \u00e0 ressusciter des anc\u00eatres dans un effort pour comprendre ma place dans les r\u00e9cits politiques, sociaux et historiques plus larges de mon lieu de naissance \u00e0 Lima, vers 1979.Le travail oscille entre des photographies vernaculaires trouv\u00e9es, mes propres \u00e9crits et photographies, et des images que je m'approprie dans des publications politiques de 1979 que j'ai collect\u00e9s \u00e0 Lima. Je m'int\u00e9resse \u00e0 la violence \u00e0 l'\u00e9gard des femmes et aux histoires de femmes, d'enfants disparus et de migration forc\u00e9e ou de d\u00e9placement \u00e0 la suite du traumatisme de la guerre. Enfin, il existe de nombreux portraits d'autres femmes n\u00e9es la m\u00eame ann\u00e9e que moi au P\u00e9rou - mes \"jumelles du temps\" repr\u00e9sent\u00e9es tout au long du livre. J'ai trouv\u00e9 ces femmes gr\u00e2ce \u00e0 des annonces que j'ai plac\u00e9es \u00e0 Lima et dans les environs, et j'ai recueilli leurs histoires orales. Tout au long du projet, j'utilise ce mat\u00e9riel et une combinaison de strat\u00e9gies d'erreur de traduction, de projection et de re-photographie comme moyen de r\u00e9cup\u00e9rer, de r\u00e9\u00e9crire, de sp\u00e9culer et d'imaginer une histoire perdue.Named after a Borges story by the same title, my book El Jard\u00edn de Senderos Que Se Bifurcan explores the process of tracing my origins amidst contradictory familial narratives. Indigenous to Peru and orphaned as an infant I was adopted into a working class transracial family from the American coal country and raised as a twin to my African American brother. This early experience of racial difference established my ongoing preoccupation with belonging, orphanhood, ancestral exile, origins, and the way these constructs are written on the body and in the archive. In this project, I set out not to recover some stable authentic identity hidden by the circumstances of my birth and adoption, but rather to build a psychic history, to imagine lineages, to invent mothers, and to resurrect ancestors in an effort to understand my place within the larger political, social, and historical narratives of my birth place\u2013 Lima, Peru circa 1979.The work itself moves between found vernacular photographs, my own original writing and photography, and appropriated images taken from 1979 political magazines that I collected in Lima, Peru. I am interested in sites of violence against women, and the stories of missing women, children, and forced migration or displacement as a result of the trauma of war. Finally, there are many portraits of other women born the same year as me in Lima, Peru, 1979\u2013 my \"time twins\" depicted throughout the book. I found these women through ads I placed in and around Lima, and I collected their oral histories. Throughout the project I use this material and a combination of mistranslation, projection, and re-photographic strategies as a way to reclaim, rewrite, speculate, and imagine a lost history.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.delpireandco.com\/en\/produit\/el-jardin-de-los-senderos-que-se-bifurcan\/","og_locale":"en_US","og_type":"article","og_title":"El Jard\u00edn de los Senderos que se Bifurcan Tarrah Krajnak  - delpire &amp; co","og_description":"Nomm\u00e9 d'apr\u00e8s une histoire de Jorge Luis Borges du m\u00eame titre, mon livre El Jard\u00edn de Senderos Que Se Bifurcan explore le processus de tra\u00e7age de mes origines au milieu de r\u00e9cits familiaux contradictoires. Originaire du P\u00e9rou et orpheline en bas \u00e2ge, j'ai \u00e9t\u00e9 adopt\u00e9e dans une famille transraciale de la classe ouvri\u00e8re am\u00e9ricaine, et \u00e9lev\u00e9e comme jumelle de mon fr\u00e8re afro-am\u00e9ricain. Cette exp\u00e9rience pr\u00e9coce de la diff\u00e9rence raciale a \u00e9tabli ma pr\u00e9occupation permanente pour l'appartenance, l'orphelinat, l'exil ancestral, les origines et la mani\u00e8re dont ces constructions sont \u00e9crites sur le corps et dans les archives. Dans ce projet, je ne cherche pas \u00e0 retrouver une identit\u00e9 cach\u00e9e par les circonstances de ma naissance et de mon adoption, mais plut\u00f4t \u00e0 construire une histoire psychique, \u00e0 imaginer des lign\u00e9es, \u00e0 inventer des m\u00e8res et \u00e0 ressusciter des anc\u00eatres dans un effort pour comprendre ma place dans les r\u00e9cits politiques, sociaux et historiques plus larges de mon lieu de naissance \u00e0 Lima, vers 1979.Le travail oscille entre des photographies vernaculaires trouv\u00e9es, mes propres \u00e9crits et photographies, et des images que je m'approprie dans des publications politiques de 1979 que j'ai collect\u00e9s \u00e0 Lima. Je m'int\u00e9resse \u00e0 la violence \u00e0 l'\u00e9gard des femmes et aux histoires de femmes, d'enfants disparus et de migration forc\u00e9e ou de d\u00e9placement \u00e0 la suite du traumatisme de la guerre. Enfin, il existe de nombreux portraits d'autres femmes n\u00e9es la m\u00eame ann\u00e9e que moi au P\u00e9rou - mes \"jumelles du temps\" repr\u00e9sent\u00e9es tout au long du livre. J'ai trouv\u00e9 ces femmes gr\u00e2ce \u00e0 des annonces que j'ai plac\u00e9es \u00e0 Lima et dans les environs, et j'ai recueilli leurs histoires orales. Tout au long du projet, j'utilise ce mat\u00e9riel et une combinaison de strat\u00e9gies d'erreur de traduction, de projection et de re-photographie comme moyen de r\u00e9cup\u00e9rer, de r\u00e9\u00e9crire, de sp\u00e9culer et d'imaginer une histoire perdue.Named after a Borges story by the same title, my book El Jard\u00edn de Senderos Que Se Bifurcan explores the process of tracing my origins amidst contradictory familial narratives. Indigenous to Peru and orphaned as an infant I was adopted into a working class transracial family from the American coal country and raised as a twin to my African American brother. This early experience of racial difference established my ongoing preoccupation with belonging, orphanhood, ancestral exile, origins, and the way these constructs are written on the body and in the archive. In this project, I set out not to recover some stable authentic identity hidden by the circumstances of my birth and adoption, but rather to build a psychic history, to imagine lineages, to invent mothers, and to resurrect ancestors in an effort to understand my place within the larger political, social, and historical narratives of my birth place\u2013 Lima, Peru circa 1979.The work itself moves between found vernacular photographs, my own original writing and photography, and appropriated images taken from 1979 political magazines that I collected in Lima, Peru. I am interested in sites of violence against women, and the stories of missing women, children, and forced migration or displacement as a result of the trauma of war. Finally, there are many portraits of other women born the same year as me in Lima, Peru, 1979\u2013 my \"time twins\" depicted throughout the book. I found these women through ads I placed in and around Lima, and I collected their oral histories. Throughout the project I use this material and a combination of mistranslation, projection, and re-photographic strategies as a way to reclaim, rewrite, speculate, and imagine a lost history.","og_url":"https:\/\/www.delpireandco.com\/en\/produit\/el-jardin-de-los-senderos-que-se-bifurcan\/","og_site_name":"delpire &amp; co","article_publisher":"https:\/\/www.facebook.com\/delpireandco","article_modified_time":"2023-05-24T21:16:31+00:00","og_image":[{"width":2125,"height":1417,"url":"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/El-Jardin-de-senderos-que-se-bifurcan-Tarrah-Krajnak-Dais-Books-cover.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@DelpireEditeur","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Organization","@id":"https:\/\/www.delpireandco.com\/#organization","name":"delpire & co","url":"https:\/\/www.delpireandco.com\/","sameAs":["https:\/\/www.facebook.com\/delpireandco","https:\/\/www.instagram.com\/delpireandco\/","https:\/\/fr.linkedin.com\/company\/delpire-co","https:\/\/www.youtube.com\/c\/delpireco","https:\/\/twitter.com\/DelpireEditeur"],"logo":{"@type":"ImageObject","@id":"https:\/\/www.delpireandco.com\/#logo","inLanguage":"en-US","url":"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/logotype-delpire.png","contentUrl":"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/logotype-delpire.png","width":307,"height":55,"caption":"delpire & co"},"image":{"@id":"https:\/\/www.delpireandco.com\/#logo"}},{"@type":"WebSite","@id":"https:\/\/www.delpireandco.com\/#website","url":"https:\/\/www.delpireandco.com\/","name":"delpire &amp; co","description":"Librairie Photo - \u00c9diteur - photobooks","publisher":{"@id":"https:\/\/www.delpireandco.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.delpireandco.com\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"ImageObject","@id":"https:\/\/www.delpireandco.com\/en\/produit\/el-jardin-de-los-senderos-que-se-bifurcan\/#primaryimage","inLanguage":"en-US","url":"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/El-Jardin-de-senderos-que-se-bifurcan-Tarrah-Krajnak-Dais-Books-cover.jpg","contentUrl":"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/El-Jardin-de-senderos-que-se-bifurcan-Tarrah-Krajnak-Dais-Books-cover.jpg","width":2125,"height":1417,"caption":"El-Jardin-de-senderos-que-se-bifurcan-Tarrah-Krajnak-Dais-Books-cover"},{"@type":"WebPage","@id":"https:\/\/www.delpireandco.com\/en\/produit\/el-jardin-de-los-senderos-que-se-bifurcan\/#webpage","url":"https:\/\/www.delpireandco.com\/en\/produit\/el-jardin-de-los-senderos-que-se-bifurcan\/","name":"El Jard\u00edn de los Senderos que se Bifurcan Tarrah Krajnak - delpire &amp; co","isPartOf":{"@id":"https:\/\/www.delpireandco.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.delpireandco.com\/en\/produit\/el-jardin-de-los-senderos-que-se-bifurcan\/#primaryimage"},"datePublished":"2022-02-01T13:32:04+00:00","dateModified":"2023-05-24T21:16:31+00:00","description":"Nomm\u00e9 d'apr\u00e8s une histoire de Jorge Luis Borges du m\u00eame titre, mon livre El Jard\u00edn de Senderos Que Se Bifurcan explore le processus de tra\u00e7age de mes origines au milieu de r\u00e9cits familiaux contradictoires. Originaire du P\u00e9rou et orpheline en bas \u00e2ge, j'ai \u00e9t\u00e9 adopt\u00e9e dans une famille transraciale de la classe ouvri\u00e8re am\u00e9ricaine, et \u00e9lev\u00e9e comme jumelle de mon fr\u00e8re afro-am\u00e9ricain. Cette exp\u00e9rience pr\u00e9coce de la diff\u00e9rence raciale a \u00e9tabli ma pr\u00e9occupation permanente pour l'appartenance, l'orphelinat, l'exil ancestral, les origines et la mani\u00e8re dont ces constructions sont \u00e9crites sur le corps et dans les archives. Dans ce projet, je ne cherche pas \u00e0 retrouver une identit\u00e9 cach\u00e9e par les circonstances de ma naissance et de mon adoption, mais plut\u00f4t \u00e0 construire une histoire psychique, \u00e0 imaginer des lign\u00e9es, \u00e0 inventer des m\u00e8res et \u00e0 ressusciter des anc\u00eatres dans un effort pour comprendre ma place dans les r\u00e9cits politiques, sociaux et historiques plus larges de mon lieu de naissance \u00e0 Lima, vers 1979.Le travail oscille entre des photographies vernaculaires trouv\u00e9es, mes propres \u00e9crits et photographies, et des images que je m'approprie dans des publications politiques de 1979 que j'ai collect\u00e9s \u00e0 Lima. Je m'int\u00e9resse \u00e0 la violence \u00e0 l'\u00e9gard des femmes et aux histoires de femmes, d'enfants disparus et de migration forc\u00e9e ou de d\u00e9placement \u00e0 la suite du traumatisme de la guerre. Enfin, il existe de nombreux portraits d'autres femmes n\u00e9es la m\u00eame ann\u00e9e que moi au P\u00e9rou - mes \"jumelles du temps\" repr\u00e9sent\u00e9es tout au long du livre. J'ai trouv\u00e9 ces femmes gr\u00e2ce \u00e0 des annonces que j'ai plac\u00e9es \u00e0 Lima et dans les environs, et j'ai recueilli leurs histoires orales. Tout au long du projet, j'utilise ce mat\u00e9riel et une combinaison de strat\u00e9gies d'erreur de traduction, de projection et de re-photographie comme moyen de r\u00e9cup\u00e9rer, de r\u00e9\u00e9crire, de sp\u00e9culer et d'imaginer une histoire perdue.Named after a Borges story by the same title, my book El Jard\u00edn de Senderos Que Se Bifurcan explores the process of tracing my origins amidst contradictory familial narratives. Indigenous to Peru and orphaned as an infant I was adopted into a working class transracial family from the American coal country and raised as a twin to my African American brother. This early experience of racial difference established my ongoing preoccupation with belonging, orphanhood, ancestral exile, origins, and the way these constructs are written on the body and in the archive. In this project, I set out not to recover some stable authentic identity hidden by the circumstances of my birth and adoption, but rather to build a psychic history, to imagine lineages, to invent mothers, and to resurrect ancestors in an effort to understand my place within the larger political, social, and historical narratives of my birth place\u2013 Lima, Peru circa 1979.The work itself moves between found vernacular photographs, my own original writing and photography, and appropriated images taken from 1979 political magazines that I collected in Lima, Peru. I am interested in sites of violence against women, and the stories of missing women, children, and forced migration or displacement as a result of the trauma of war. Finally, there are many portraits of other women born the same year as me in Lima, Peru, 1979\u2013 my \"time twins\" depicted throughout the book. I found these women through ads I placed in and around Lima, and I collected their oral histories. Throughout the project I use this material and a combination of mistranslation, projection, and re-photographic strategies as a way to reclaim, rewrite, speculate, and imagine a lost history.","breadcrumb":{"@id":"https:\/\/www.delpireandco.com\/en\/produit\/el-jardin-de-los-senderos-que-se-bifurcan\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.delpireandco.com\/en\/produit\/el-jardin-de-los-senderos-que-se-bifurcan\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.delpireandco.com\/en\/produit\/el-jardin-de-los-senderos-que-se-bifurcan\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Shop","item":"https:\/\/www.delpireandco.com\/en\/shop\/"},{"@type":"ListItem","position":2,"name":"El Jard\u00edn de los Senderos que se Bifurcan"}]}]}},"_links":{"self":[{"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/product\/8770"}],"collection":[{"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/types\/product"}],"version-history":[{"count":0,"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/product\/8770\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/media\/9102"}],"wp:attachment":[{"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/media?parent=8770"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/product_cat?post=8770"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/product_tag?post=8770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}