{"id":7191,"date":"2021-12-17T15:49:36","date_gmt":"2021-12-17T14:50:36","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&#038;p=7191"},"modified":"2021-12-17T15:53:32","modified_gmt":"2021-12-17T14:53:32","slug":"the-last-survivor-is-the-first-suspect","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/the-last-survivor-is-the-first-suspect\/","title":{"rendered":"The Last Survivor is the First Suspect"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":7347,"template":"","meta":[],"product_cat":[61],"product_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"description\" content=\"The Last Survivor is the First Suspect is at once a celebration and a requiem. The project, captured between 2005 and 2009 by photographer Nick Haymes, is a record of a drifting community of young friends based mainly between two distinct geographic points: Southern California and Tulsa, Oklahoma. The book&#039;s narrative merges a sense of joy in documenting burgeoning friendships and bonds, and a looming sense of dread that would ultimately culminate in a series of tragedies.Weaving throughout Haymes intimate photographs are a series of digital screenshots which Haymes has identified as key to this moment in time, which offer the viewer a secondary narrative of engagement. Social media was still relatively young and Haymes became acutely aware of a new nodal sense of communication between these distinct groups of friends. Platforms such as MySpace, YouTube and online message boards engendered a sense of community by enabling connection, while also setting new and impossible standards and expectations. Diligently collected, these various forms of communication between the characters frame a foreboding.In Haymes\u2019 own introduction to the book he accounts how his camera allowed him to compensate for a sense of crippling shyness developed during his teenage years. \u2019I picked up a camera and hid, discovering I could once again be near people, intimate with them, without having to engage,\u2019 he writes. To create this exhibition and publication, the artist has returned to a body of pictures, piecing together what happened to these people for himself. Here, Haymes invites us to form a contemporary engagement with this specific historic moment, where things are both different and the same in equal measure. L.P. Hartley famously opened his coming of age opus The Go-Between \u2019The past is a foreign country; they do things differently there.\u2019 The Last Survivor is the First Suspect shows this sentiment with remarkable clarity.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/the-last-survivor-is-the-first-suspect\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Last Survivor is the First Suspect Nick Haymes - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"The Last Survivor is the First Suspect is at once a celebration and a requiem. The project, captured between 2005 and 2009 by photographer Nick Haymes, is a record of a drifting community of young friends based mainly between two distinct geographic points: Southern California and Tulsa, Oklahoma. The book&#039;s narrative merges a sense of joy in documenting burgeoning friendships and bonds, and a looming sense of dread that would ultimately culminate in a series of tragedies.Weaving throughout Haymes intimate photographs are a series of digital screenshots which Haymes has identified as key to this moment in time, which offer the viewer a secondary narrative of engagement. Social media was still relatively young and Haymes became acutely aware of a new nodal sense of communication between these distinct groups of friends. Platforms such as MySpace, YouTube and online message boards engendered a sense of community by enabling connection, while also setting new and impossible standards and expectations. Diligently collected, these various forms of communication between the characters frame a foreboding.In Haymes\u2019 own introduction to the book he accounts how his camera allowed him to compensate for a sense of crippling shyness developed during his teenage years. \u2019I picked up a camera and hid, discovering I could once again be near people, intimate with them, without having to engage,\u2019 he writes. To create this exhibition and publication, the artist has returned to a body of pictures, piecing together what happened to these people for himself. Here, Haymes invites us to form a contemporary engagement with this specific historic moment, where things are both different and the same in equal measure. L.P. Hartley famously opened his coming of age opus The Go-Between \u2019The past is a foreign country; they do things differently there.\u2019 The Last Survivor is the First Suspect shows this sentiment with remarkable clarity.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/produit\/the-last-survivor-is-the-first-suspect\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire &amp; co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"article:modified_time\" content=\"2021-12-17T14:53:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2021\/12\/The-last-survivor-is-the-first-suspect_Nick-Haymes_Kodoji-Press_cover.jpg.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2125\" \/>\n\t<meta property=\"og:image:height\" content=\"1417\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.delpireandco.com\/#organization\",\"name\":\"delpire & co\",\"url\":\"https:\/\/www.delpireandco.com\/\",\"sameAs\":[\"https:\/\/www.facebook.com\/delpireandco\",\"https:\/\/www.instagram.com\/delpireandco\/\",\"https:\/\/fr.linkedin.com\/company\/delpire-co\",\"https:\/\/www.youtube.com\/c\/delpireco\",\"https:\/\/twitter.com\/DelpireEditeur\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.delpireandco.com\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/logotype-delpire.png\",\"contentUrl\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/logotype-delpire.png\",\"width\":307,\"height\":55,\"caption\":\"delpire & co\"},\"image\":{\"@id\":\"https:\/\/www.delpireandco.com\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.delpireandco.com\/#website\",\"url\":\"https:\/\/www.delpireandco.com\/\",\"name\":\"delpire &amp; co\",\"description\":\"Librairie Photo - \\u00c9diteur - photobooks\",\"publisher\":{\"@id\":\"https:\/\/www.delpireandco.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.delpireandco.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/the-last-survivor-is-the-first-suspect\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2021\/12\/The-last-survivor-is-the-first-suspect_Nick-Haymes_Kodoji-Press_cover.jpg-e1639752965886.jpg\",\"contentUrl\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2021\/12\/The-last-survivor-is-the-first-suspect_Nick-Haymes_Kodoji-Press_cover.jpg-e1639752965886.jpg\",\"width\":2125,\"height\":1417,\"caption\":\"The-last-survivor-is-the-first-suspect_Nick-Haymes_Kodoji-Press_cover.jpg\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/the-last-survivor-is-the-first-suspect\/#webpage\",\"url\":\"https:\/\/www.delpireandco.com\/en\/produit\/the-last-survivor-is-the-first-suspect\/\",\"name\":\"The Last Survivor is the First Suspect Nick Haymes - delpire &amp; co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/the-last-survivor-is-the-first-suspect\/#primaryimage\"},\"datePublished\":\"2021-12-17T14:50:36+00:00\",\"dateModified\":\"2021-12-17T14:53:32+00:00\",\"description\":\"The Last Survivor is the First Suspect is at once a celebration and a requiem. 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Diligently collected, these various forms of communication between the characters frame a foreboding.In Haymes\\u2019 own introduction to the book he accounts how his camera allowed him to compensate for a sense of crippling shyness developed during his teenage years. \\u2019I picked up a camera and hid, discovering I could once again be near people, intimate with them, without having to engage,\\u2019 he writes. To create this exhibition and publication, the artist has returned to a body of pictures, piecing together what happened to these people for himself. Here, Haymes invites us to form a contemporary engagement with this specific historic moment, where things are both different and the same in equal measure. L.P. 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Diligently collected, these various forms of communication between the characters frame a foreboding.In Haymes\u2019 own introduction to the book he accounts how his camera allowed him to compensate for a sense of crippling shyness developed during his teenage years. \u2019I picked up a camera and hid, discovering I could once again be near people, intimate with them, without having to engage,\u2019 he writes. To create this exhibition and publication, the artist has returned to a body of pictures, piecing together what happened to these people for himself. Here, Haymes invites us to form a contemporary engagement with this specific historic moment, where things are both different and the same in equal measure. L.P. 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