{"id":6373,"date":"2021-11-30T11:32:04","date_gmt":"2021-11-30T10:31:01","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&#038;p=6373"},"modified":"2021-12-02T15:55:50","modified_gmt":"2021-12-02T14:55:50","slug":"nothing-to-see-here","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/nothing-to-see-here\/","title":{"rendered":"Nothing To See Here"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":6370,"template":"","meta":[],"product_cat":[61],"product_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"description\" content=\"Amid Hong Kong\u2019s massive protests and increasingly severe government crackdown in the summer of 2019, graffiti proliferated in the city and became an iconic expression of dissent. Hans Leo Maes documents and inventories the different forms taken by the incessant work of state officials to cover up, hide, or attempt to remove these inscriptions from the public space. In this publication, the smudged markings at tram stops are particularly highlighted, where the combined action of graffiti and attempts at erasure have resulted in unique, ghostly images with a plasticity that refers to current forms of post-graffiti and contemporary art, questioning the mechanics behind the state.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/nothing-to-see-here\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nothing To See Here Hans Leo Maes - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"Amid Hong Kong\u2019s massive protests and increasingly severe government crackdown in the summer of 2019, graffiti proliferated in the city and became an iconic expression of dissent. Hans Leo Maes documents and inventories the different forms taken by the incessant work of state officials to cover up, hide, or attempt to remove these inscriptions from the public space. In this publication, the smudged markings at tram stops are particularly highlighted, where the combined action of graffiti and attempts at erasure have resulted in unique, ghostly images with a plasticity that refers to current forms of post-graffiti and contemporary art, questioning the mechanics behind the state.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/produit\/nothing-to-see-here\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire &amp; co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"article:modified_time\" content=\"2021-12-02T14:55:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2021\/11\/Nothing-to-see-here_4_Delpire13Septembre-min.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2080\" \/>\n\t<meta property=\"og:image:height\" content=\"1282\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.delpireandco.com\/#organization\",\"name\":\"delpire & co\",\"url\":\"https:\/\/www.delpireandco.com\/\",\"sameAs\":[\"https:\/\/www.facebook.com\/delpireandco\",\"https:\/\/www.instagram.com\/delpireandco\/\",\"https:\/\/fr.linkedin.com\/company\/delpire-co\",\"https:\/\/www.youtube.com\/c\/delpireco\",\"https:\/\/twitter.com\/DelpireEditeur\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.delpireandco.com\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/logotype-delpire.png\",\"contentUrl\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/logotype-delpire.png\",\"width\":307,\"height\":55,\"caption\":\"delpire & co\"},\"image\":{\"@id\":\"https:\/\/www.delpireandco.com\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.delpireandco.com\/#website\",\"url\":\"https:\/\/www.delpireandco.com\/\",\"name\":\"delpire &amp; co\",\"description\":\"Librairie Photo - \\u00c9diteur - photobooks\",\"publisher\":{\"@id\":\"https:\/\/www.delpireandco.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.delpireandco.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/nothing-to-see-here\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2021\/11\/Nothing-to-see-here_4_Delpire13Septembre-min.jpg\",\"contentUrl\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2021\/11\/Nothing-to-see-here_4_Delpire13Septembre-min.jpg\",\"width\":2080,\"height\":1282,\"caption\":\"Nothing-to-see-here_4_Delpire13Septembre-min\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/nothing-to-see-here\/#webpage\",\"url\":\"https:\/\/www.delpireandco.com\/en\/produit\/nothing-to-see-here\/\",\"name\":\"Nothing To See Here Hans Leo Maes - delpire &amp; co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/nothing-to-see-here\/#primaryimage\"},\"datePublished\":\"2021-11-30T10:31:01+00:00\",\"dateModified\":\"2021-12-02T14:55:50+00:00\",\"description\":\"Amid Hong Kong\\u2019s massive protests and increasingly severe government crackdown in the summer of 2019, graffiti proliferated in the city and became an iconic expression of dissent. 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