{"id":47349,"date":"2025-01-23T17:44:08","date_gmt":"2025-01-23T16:44:30","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&p=47349"},"modified":"2025-01-23T17:44:31","modified_gmt":"2025-01-23T16:44:31","slug":"maine","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/maine\/","title":{"rendered":"Maine"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":47346,"template":"","meta":[],"product_cat":[61],"product_tag":[],"acf":[],"yoast_head":"\nMaine Gerry Johansson - delpire & co<\/title>\n<meta name=\"description\" content=\"In 2023, Swedish photographer Gerry Johansson roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago \u2014 he found Strand\u2019s views of New England \u201cboring\u201d at the time \u2014 and also wondering, \u201cWhy is American photography so focused on the west?\u201d Johansson\u2019s Maine echoes the formal restraint of his earlier books, notably American Winter, Spanish Summer, Meloni Meloni, and Pontiac, sequencing nearly 200 black-and-white duotone photographs alphabetically by their oddly poetic northeastern town names (Bath, Friendship, Purgatory, etc). Somehow, as in all Johansson\u2019s work, none of the Maine pictures draws more attention than any other, and the flawless and playful compositions never seem to repeat \u2014 Johansson\u2019s endlessly inventive arrangements of architecture and landscape orient the viewer in a specific geographic and cultural place while generously sharing his way of seeing, ambling, and thinking with a camera.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/maine\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Maine Gerry Johansson - delpire & co\" \/>\n<meta property=\"og:description\" content=\"In 2023, Swedish photographer Gerry Johansson roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago \u2014 he found Strand\u2019s views of New England \u201cboring\u201d at the time \u2014 and also wondering, \u201cWhy is American photography so focused on the west?\u201d Johansson\u2019s Maine echoes the formal restraint of his earlier books, notably American Winter, Spanish Summer, Meloni Meloni, and Pontiac, sequencing nearly 200 black-and-white duotone photographs alphabetically by their oddly poetic northeastern town names (Bath, Friendship, Purgatory, etc). Somehow, as in all Johansson\u2019s work, none of the Maine pictures draws more attention than any other, and the flawless and playful compositions never seem to repeat \u2014 Johansson\u2019s endlessly inventive arrangements of architecture and landscape orient the viewer in a specific geographic and cultural place while generously sharing his way of seeing, ambling, and thinking with a camera.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/produit\/maine\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire & co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-23T16:44:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2025\/01\/maine-gerry-johansson-cover-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1706\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/maine\/\",\"url\":\"https:\/\/www.delpireandco.com\/en\/produit\/maine\/\",\"name\":\"Maine Gerry Johansson - delpire & co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/#website\"},\"datePublished\":\"2025-01-23T16:44:30+00:00\",\"dateModified\":\"2025-01-23T16:44:31+00:00\",\"description\":\"In 2023, Swedish photographer Gerry Johansson roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago \u2014 he found Strand\u2019s views of New England \u201cboring\u201d at the time \u2014 and also wondering, \u201cWhy is American photography so focused on the west?\u201d Johansson\u2019s Maine echoes the formal restraint of his earlier books, notably American Winter, Spanish Summer, Meloni Meloni, and Pontiac, sequencing nearly 200 black-and-white duotone photographs alphabetically by their oddly poetic northeastern town names (Bath, Friendship, Purgatory, etc). 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