{"id":4266,"date":"2021-07-25T22:21:11","date_gmt":"2021-07-25T20:21:11","guid":{"rendered":"https:\/\/www.delpireandco.com\/produit\/what-photography-incarceration-have-in-common-with-an-empty-vase\/"},"modified":"2021-12-31T17:15:01","modified_gmt":"2021-12-31T16:15:01","slug":"what-photography-incarceration-have-in-common-with-an-empty-vase","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/what-photography-incarceration-have-in-common-with-an-empty-vase\/","title":{"rendered":"What Photography &#038; Incarceration have in Common with an Empty Vase"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":2705,"template":"","meta":[],"product_cat":[61],"product_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"description\" content=\"What Photography &amp; Incarceration Have in Common with an Empty Vase\u00a0is a two-part photobook by UK-based Portuguese photographer Edgar Martins, created in collaboration with inmates at a prison in England\u2019s Midlands region. In this densely packed project, Martins wrestles with crucial questions about the representation of the experience of incarceration. The two volumes are packaged together in a plastic police evidence bag. One of the volumes is the facsimile of pages from an incarcerated person\u2019s diary; handwritten entries express the frustrations and anxieties of undergoing trial and daily life in prison, occasionally layered with a photograph or drawing by either the author or Martins. \u201cThe complementary volume sets up an uneasy juxtaposition,\u201d Meister cautions\u2014opening up questions of truth and fiction, or the equivalencies between shooting a camera and a gun. Martins brings together a heady mix of studio and archival images, documents, and other interventions \u201cto complicate or render impossible any simple read of the subject,\u201d Meister observes.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/what-photography-incarceration-have-in-common-with-an-empty-vase\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What Photography &amp; Incarceration have in Common with an Empty Vase Edgar Martins - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"What Photography &amp; Incarceration Have in Common with an Empty Vase\u00a0is a two-part photobook by UK-based Portuguese photographer Edgar Martins, created in collaboration with inmates at a prison in England\u2019s Midlands region. In this densely packed project, Martins wrestles with crucial questions about the representation of the experience of incarceration. The two volumes are packaged together in a plastic police evidence bag. One of the volumes is the facsimile of pages from an incarcerated person\u2019s diary; handwritten entries express the frustrations and anxieties of undergoing trial and daily life in prison, occasionally layered with a photograph or drawing by either the author or Martins. \u201cThe complementary volume sets up an uneasy juxtaposition,\u201d Meister cautions\u2014opening up questions of truth and fiction, or the equivalencies between shooting a camera and a gun. 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