{"id":41904,"date":"2024-09-02T12:41:51","date_gmt":"2024-09-02T10:40:44","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&#038;p=41904"},"modified":"2024-09-02T12:40:45","modified_gmt":"2024-09-02T10:40:45","slug":"plastic-pulse","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/plastic-pulse\/","title":{"rendered":"Plastic Pulse"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":41893,"template":"","meta":[],"product_cat":[61],"product_tag":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Plastic Pulse Ezra Miller - delpire &amp; co<\/title>\n<meta name=\"description\" content=\"In the wake of so many dramatic shifts in memory and its depictions, Ezra Miller stands as a dystopian heir to the Art of Memory. Starting with images he gathers in daily life, the artist implements a process of deformation, creasing the code that makes up the surface of his images, fanning out near-infinite prospects from the source image to reach a delicate balance between photography and its altered material. There is no looking at Ezra Miller\u2019s photographs, only looking through them, passing through their algorithmically creased surface. What is made out there is not merely things seen, but recollections to come, the bits and pieces of a floating, shared memory. \u2014 Nicolas GiraudThe whole world is only a virtuality that currently exists only in the folds of the soul which convey it, the soul implementing inner pleats through which it endows itself with a representation of the enclosed world. We are moving from inflection to inclusion in a subject, as if from the virtual to the real, inflection defining the fold, but inclusion defining the soul or the subject, that is, what envelops the fold, its final cause and its completed act. \u2014 Gilles Deleuze, The Fold, tr. Tom Conley\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/plastic-pulse\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Plastic Pulse Ezra Miller - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"In the wake of so many dramatic shifts in memory and its depictions, Ezra Miller stands as a dystopian heir to the Art of Memory. Starting with images he gathers in daily life, the artist implements a process of deformation, creasing the code that makes up the surface of his images, fanning out near-infinite prospects from the source image to reach a delicate balance between photography and its altered material. There is no looking at Ezra Miller\u2019s photographs, only looking through them, passing through their algorithmically creased surface. What is made out there is not merely things seen, but recollections to come, the bits and pieces of a floating, shared memory. \u2014 Nicolas GiraudThe whole world is only a virtuality that currently exists only in the folds of the soul which convey it, the soul implementing inner pleats through which it endows itself with a representation of the enclosed world. We are moving from inflection to inclusion in a subject, as if from the virtual to the real, inflection defining the fold, but inclusion defining the soul or the subject, that is, what envelops the fold, its final cause and its completed act. \u2014 Gilles Deleuze, The Fold, tr. Tom Conley\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/produit\/plastic-pulse\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire &amp; co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-02T10:40:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2024\/08\/plastic-pulse-miller-area-books-cover-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1706\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/plastic-pulse\/\",\"url\":\"https:\/\/www.delpireandco.com\/en\/produit\/plastic-pulse\/\",\"name\":\"Plastic Pulse Ezra Miller - delpire &amp; co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/#website\"},\"datePublished\":\"2024-09-02T10:40:44+00:00\",\"dateModified\":\"2024-09-02T10:40:45+00:00\",\"description\":\"In the wake of so many dramatic shifts in memory and its depictions, Ezra Miller stands as a dystopian heir to the Art of Memory. 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We are moving from inflection to inclusion in a subject, as if from the virtual to the real, inflection defining the fold, but inclusion defining the soul or the subject, that is, what envelops the fold, its final cause and its completed act. \u2014 Gilles Deleuze, The Fold, tr. 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