{"id":39937,"date":"2024-06-13T14:10:41","date_gmt":"2024-06-13T12:12:03","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&p=39937"},"modified":"2024-06-20T11:18:47","modified_gmt":"2024-06-20T09:18:47","slug":"daily-self-portraits-1972-1973","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/daily-self-portraits-1972-1973\/","title":{"rendered":"DAILY SELF-PORTRAITS 1972\u20131973"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":39925,"template":"","meta":[],"product_cat":[61],"product_tag":[],"acf":[],"yoast_head":"\nDAILY SELF-PORTRAITS 1972\u20131973 MELISSA SHOOK - delpire & co<\/title>\n<meta name=\"description\" content=\"In December 1972, Melissa Shook (1939\u20132020) began a series of daily self-portraits in her Lower East Side apartment that she would continue until August 1973. Daily Self-Portraits 1972\u20131973 is the artist\u2019s complete series of 192 photographs published together for the first time. With her medium format, black and white photographs, Shook captures herself in a variety of poses creating a more complete portrait than could be achieved with any one image. The photographs often include Shook\u2019s daughter and the friends who populate her sphere. The viewer is introduced to the artist\u2019s intimate domain and the mundanity of everyday existence comes to the forefront: nursing her ailing toe on the couch, sitting at the kitchen table with a friend, hair wrapped up in a towel post shower, dancing with her daughter. Rather than strictly embodying a typical vision of beauty, Shook\u2019s poses are often imbued with irreverence and parody as a rejection of the tradition of female portraiture made from a male perspective. The book is astutely contextualized by Sally Stein's essay highlighting the artist\u2019s purposeful dismissal of the idea of a single, revelatory moment, opting instead for the extended serial portrait, with all its contradictions and complexity.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/daily-self-portraits-1972-1973\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DAILY SELF-PORTRAITS 1972\u20131973 MELISSA SHOOK - delpire & co\" \/>\n<meta property=\"og:description\" content=\"In December 1972, Melissa Shook (1939\u20132020) began a series of daily self-portraits in her Lower East Side apartment that she would continue until August 1973. Daily Self-Portraits 1972\u20131973 is the artist\u2019s complete series of 192 photographs published together for the first time. With her medium format, black and white photographs, Shook captures herself in a variety of poses creating a more complete portrait than could be achieved with any one image. The photographs often include Shook\u2019s daughter and the friends who populate her sphere. The viewer is introduced to the artist\u2019s intimate domain and the mundanity of everyday existence comes to the forefront: nursing her ailing toe on the couch, sitting at the kitchen table with a friend, hair wrapped up in a towel post shower, dancing with her daughter. Rather than strictly embodying a typical vision of beauty, Shook\u2019s poses are often imbued with irreverence and parody as a rejection of the tradition of female portraiture made from a male perspective. 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