{"id":38096,"date":"2024-04-26T12:03:58","date_gmt":"2024-04-26T10:09:15","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&p=38096"},"modified":"2024-04-26T12:09:16","modified_gmt":"2024-04-26T10:09:16","slug":"nick-mauss-dispersed-events","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/nick-mauss-dispersed-events\/","title":{"rendered":"Nick Mauss Dispersed Events"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":38093,"template":"","meta":[],"product_cat":[61],"product_tag":[],"acf":[],"yoast_head":"\nNick Mauss Dispersed Events Nick Mauss \/ Lynne Cooke - delpire & co<\/title>\n<meta name=\"description\" content=\"Dispersed Events brings together for the first time Nick Mauss\u2019 essays from the last fifteen years. Shimmering with the urgency of a new generation of queer thinkers, Mauss\u2019 writing refracts contemporary art through histories of decorative art, film, theater, and dance.An artist renowned for critically and poetically reconfiguring inherited genealogies and hierarchies of visual culture and art history, Mauss engages writing as a space for relentlessly activating counter-histories, repositioning the voice of the artist and the readers along the way. Whether he considers the practice of artist Lorraine O\u2019Grady, the radical fashion of Susan Cianciolo, the anarcho-vaudevillian theater of Reza Abdoh, or the potential for textiles to disclose a different way of thinking, Mauss insists on the intense power of forms and feelings in their actual rather than enforced prehistories. Reevaluating experiments in fashion, dance, and the decorative arts on the same plane as painting, sculpture and cinema, he locates art as taking shape in the middle of conversations\u2014\u201cbetween art history and any afternoon.\u201d\u201cAmong what might initially appear, following Mauss, \u2018a wildly inscrutable web of lineages,\u2019 the reader quickly perceives unexpected, unheralded, conjunctions: affiliations, alignments, and affinities. . . . It generates a conviction that, in the best sense, is partisan. Singular, independent, illuminating.\u201d\u2014from the foreword by Lynne Cooke\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/nick-mauss-dispersed-events\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nick Mauss Dispersed Events Nick Mauss \/ Lynne Cooke - delpire & co\" \/>\n<meta property=\"og:description\" content=\"Dispersed Events brings together for the first time Nick Mauss\u2019 essays from the last fifteen years. Shimmering with the urgency of a new generation of queer thinkers, Mauss\u2019 writing refracts contemporary art through histories of decorative art, film, theater, and dance.An artist renowned for critically and poetically reconfiguring inherited genealogies and hierarchies of visual culture and art history, Mauss engages writing as a space for relentlessly activating counter-histories, repositioning the voice of the artist and the readers along the way. Whether he considers the practice of artist Lorraine O\u2019Grady, the radical fashion of Susan Cianciolo, the anarcho-vaudevillian theater of Reza Abdoh, or the potential for textiles to disclose a different way of thinking, Mauss insists on the intense power of forms and feelings in their actual rather than enforced prehistories. Reevaluating experiments in fashion, dance, and the decorative arts on the same plane as painting, sculpture and cinema, he locates art as taking shape in the middle of conversations\u2014\u201cbetween art history and any afternoon.\u201d\u201cAmong what might initially appear, following Mauss, \u2018a wildly inscrutable web of lineages,\u2019 the reader quickly perceives unexpected, unheralded, conjunctions: affiliations, alignments, and affinities. . . . It generates a conviction that, in the best sense, is partisan. Singular, independent, illuminating.\u201d\u2014from the foreword by Lynne Cooke\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/produit\/nick-mauss-dispersed-events\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire & co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"article:modified_time\" content=\"2024-04-26T10:09:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2024\/04\/nick-mauss-dispersed-events-selected-writings-after-8-books-cover-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1707\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/nick-mauss-dispersed-events\/\",\"url\":\"https:\/\/www.delpireandco.com\/en\/produit\/nick-mauss-dispersed-events\/\",\"name\":\"Nick Mauss Dispersed Events Nick Mauss \/ Lynne Cooke - delpire & co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/#website\"},\"datePublished\":\"2024-04-26T10:09:15+00:00\",\"dateModified\":\"2024-04-26T10:09:16+00:00\",\"description\":\"Dispersed Events brings together for the first time Nick Mauss\u2019 essays from the last fifteen years. 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