{"id":37171,"date":"2024-03-29T16:02:42","date_gmt":"2024-03-29T15:03:29","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&p=37171"},"modified":"2024-03-29T16:03:29","modified_gmt":"2024-03-29T15:03:29","slug":"pictures-for-charis","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/pictures-for-charis\/","title":{"rendered":"Pictures for Charis"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":37160,"template":"","meta":[],"product_cat":[61],"product_tag":[],"acf":[],"yoast_head":"\nPictures for Charis Kelli Connell - delpire & co<\/title>\n<meta name=\"description\" content=\"Pictures for Charis is a project driven by photographer Kelli Connell\u2019s obsession with the writer Charis Wilson, Edward Weston\u2019s partner, model, and collaborator during one of the most productive segments of his historic career. Connell focuses on Wilson and Weston\u2019s shared legacy, traveling with her own partner, Betsy Odom, to locales where the latter couple made photographs together more than eighty years ago. Wilson wrote extensively about her travels and about her, and Weston\u2019s, photographic concerns. In chasing Charis Wilson\u2019s ghost, Connell tells her own story, one that finds a kinship with Wilson and, to her surprise, Weston, too, as she navigates her own life and struggles as an artist against a cultural landscape that has changed and yet remains mired in the many of the same thorny issues regarding the nature of desire and inspiration, and the relationship of artist and landscape. This rich weave of narrative and images complicates and breathes new life into a well-known set of photos, while also presenting an entirely new and mesmerizing body of work by Connell, her first work combining image and text as a mode of visual research and storytelling. Copublished by Aperture and the Center for Creative Photography, Tucson.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/pictures-for-charis\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pictures for Charis Kelli Connell - delpire & co\" \/>\n<meta property=\"og:description\" content=\"Pictures for Charis is a project driven by photographer Kelli Connell\u2019s obsession with the writer Charis Wilson, Edward Weston\u2019s partner, model, and collaborator during one of the most productive segments of his historic career. Connell focuses on Wilson and Weston\u2019s shared legacy, traveling with her own partner, Betsy Odom, to locales where the latter couple made photographs together more than eighty years ago. Wilson wrote extensively about her travels and about her, and Weston\u2019s, photographic concerns. In chasing Charis Wilson\u2019s ghost, Connell tells her own story, one that finds a kinship with Wilson and, to her surprise, Weston, too, as she navigates her own life and struggles as an artist against a cultural landscape that has changed and yet remains mired in the many of the same thorny issues regarding the nature of desire and inspiration, and the relationship of artist and landscape. This rich weave of narrative and images complicates and breathes new life into a well-known set of photos, while also presenting an entirely new and mesmerizing body of work by Connell, her first work combining image and text as a mode of visual research and storytelling. Copublished by Aperture and the Center for Creative Photography, Tucson.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/produit\/pictures-for-charis\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire & co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2024\/03\/pictures-for-charis-connell-aperture-cover-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1706\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/pictures-for-charis\/\",\"url\":\"https:\/\/www.delpireandco.com\/en\/produit\/pictures-for-charis\/\",\"name\":\"Pictures for Charis Kelli Connell - delpire & co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/#website\"},\"datePublished\":\"2024-03-29T15:03:29+00:00\",\"dateModified\":\"2024-03-29T15:03:29+00:00\",\"description\":\"Pictures for Charis is a project driven by photographer Kelli Connell\u2019s obsession with the writer Charis Wilson, Edward Weston\u2019s partner, model, and collaborator during one of the most productive segments of his historic career. Connell focuses on Wilson and Weston\u2019s shared legacy, traveling with her own partner, Betsy Odom, to locales where the latter couple made photographs together more than eighty years ago. Wilson wrote extensively about her travels and about her, and Weston\u2019s, photographic concerns. In chasing Charis Wilson\u2019s ghost, Connell tells her own story, one that finds a kinship with Wilson and, to her surprise, Weston, too, as she navigates her own life and struggles as an artist against a cultural landscape that has changed and yet remains mired in the many of the same thorny issues regarding the nature of desire and inspiration, and the relationship of artist and landscape. This rich weave of narrative and images complicates and breathes new life into a well-known set of photos, while also presenting an entirely new and mesmerizing body of work by Connell, her first work combining image and text as a mode of visual research and storytelling. 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