{"id":37150,"date":"2024-03-29T15:55:34","date_gmt":"2024-03-29T14:57:02","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&#038;p=37150"},"modified":"2024-08-13T18:58:51","modified_gmt":"2024-08-13T16:58:51","slug":"study-for-woman","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/study-for-woman\/","title":{"rendered":"Study for Woman"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":37139,"template":"","meta":[],"product_cat":[61],"product_tag":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Study for Woman Dana Darvish - delpire &amp; co<\/title>\n<meta name=\"description\" content=\"Study for Woman is a new artist book by Dana Darvish, which uses photography and collage to explore themes relating to art history, feminism, and personal discovery, bringing together the past few years of Darvish\u2019s practice, it is an unfinished, ongoing study of sex and body, mind and mourning, emptiness and loss, woman and animal.For over two decades, Darvish has been working in photography-based practices. She uses several techniques\u2014such as montage, manual collage, video, and photography\u2014which she sometimes combines in installations comprising objects and words. Darvish breaks down boundaries between images and identities; assimilates bodies of different kinds while revealing the raw connections between them; conveys information, obscures and amends it to create a new hybrid. The collage on the book\u2019s cover recalls the story of Leda and the Swan from Greek mythology, which might be regarded as a tale of seduction or rape. Darvish includes the original caption of one of the images that comprise it, which informs us that it is a documentary photo of one of Otto Muehl\u2019s art actions in the late 1960s\u2014violent performances that featured naked women and the slaughtering of animals such as geese. Darvish\u2019s choice of this image from Muehl\u2019s extreme performance for the cover of her book unites the woman and the animal and points to them as sharing the same fate. In this way, already at the opening of the book, she proclaims\u2014employing the notions of citation and source\u2014a feminist critique of society, of culture, and of the art field and its system of representations.Darvish\u2019s work adopts tactics of gazing at the female body derived from Western art and culture, adopted in order to sabotage and puncture, destroy and rupture the very works from which they were derived. Her works and installations underscore formal aspects and the power of beauty\u2014of wounds, cuts, imperfections\u2014that underpin her artistic endeavor. From the outset of her career as an artist, Darvish has persistently presented as one the perspective of an animal\u2019s spirit and a woman\u2019s soul, not differentiating between their degrees of pain, suffering or fracture due to social constructs and cultural patterns. At the same time, she highlights close analogies between a woman\u2019s body and that of an animal, in their movement and gestures, life drive, and hidden.Adapted from a text by Ilanit Konopny\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/study-for-woman\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Study for Woman Dana Darvish - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"Study for Woman is a new artist book by Dana Darvish, which uses photography and collage to explore themes relating to art history, feminism, and personal discovery, bringing together the past few years of Darvish\u2019s practice, it is an unfinished, ongoing study of sex and body, mind and mourning, emptiness and loss, woman and animal.For over two decades, Darvish has been working in photography-based practices. She uses several techniques\u2014such as montage, manual collage, video, and photography\u2014which she sometimes combines in installations comprising objects and words. Darvish breaks down boundaries between images and identities; assimilates bodies of different kinds while revealing the raw connections between them; conveys information, obscures and amends it to create a new hybrid. The collage on the book\u2019s cover recalls the story of Leda and the Swan from Greek mythology, which might be regarded as a tale of seduction or rape. Darvish includes the original caption of one of the images that comprise it, which informs us that it is a documentary photo of one of Otto Muehl\u2019s art actions in the late 1960s\u2014violent performances that featured naked women and the slaughtering of animals such as geese. Darvish\u2019s choice of this image from Muehl\u2019s extreme performance for the cover of her book unites the woman and the animal and points to them as sharing the same fate. In this way, already at the opening of the book, she proclaims\u2014employing the notions of citation and source\u2014a feminist critique of society, of culture, and of the art field and its system of representations.Darvish\u2019s work adopts tactics of gazing at the female body derived from Western art and culture, adopted in order to sabotage and puncture, destroy and rupture the very works from which they were derived. Her works and installations underscore formal aspects and the power of beauty\u2014of wounds, cuts, imperfections\u2014that underpin her artistic endeavor. From the outset of her career as an artist, Darvish has persistently presented as one the perspective of an animal\u2019s spirit and a woman\u2019s soul, not differentiating between their degrees of pain, suffering or fracture due to social constructs and cultural patterns. At the same time, she highlights close analogies between a woman\u2019s body and that of an animal, in their movement and gestures, life drive, and hidden.Adapted from a text by Ilanit Konopny\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/produit\/study-for-woman\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire &amp; co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"article:modified_time\" content=\"2024-08-13T16:58:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2024\/03\/study-for-woman-darvish-sternthal-books-cover-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1706\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/study-for-woman\/\",\"url\":\"https:\/\/www.delpireandco.com\/en\/produit\/study-for-woman\/\",\"name\":\"Study for Woman Dana Darvish - delpire &amp; co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/#website\"},\"datePublished\":\"2024-03-29T14:57:02+00:00\",\"dateModified\":\"2024-08-13T16:58:51+00:00\",\"description\":\"Study for Woman is a new artist book by Dana Darvish, which uses photography and collage to explore themes relating to art history, feminism, and personal discovery, bringing together the past few years of Darvish\u2019s practice, it is an unfinished, ongoing study of sex and body, mind and mourning, emptiness and loss, woman and animal.For over two decades, Darvish has been working in photography-based practices. She uses several techniques\u2014such as montage, manual collage, video, and photography\u2014which she sometimes combines in installations comprising objects and words. Darvish breaks down boundaries between images and identities; assimilates bodies of different kinds while revealing the raw connections between them; conveys information, obscures and amends it to create a new hybrid. The collage on the book\u2019s cover recalls the story of Leda and the Swan from Greek mythology, which might be regarded as a tale of seduction or rape. Darvish includes the original caption of one of the images that comprise it, which informs us that it is a documentary photo of one of Otto Muehl\u2019s art actions in the late 1960s\u2014violent performances that featured naked women and the slaughtering of animals such as geese. Darvish\u2019s choice of this image from Muehl\u2019s extreme performance for the cover of her book unites the woman and the animal and points to them as sharing the same fate. In this way, already at the opening of the book, she proclaims\u2014employing the notions of citation and source\u2014a feminist critique of society, of culture, and of the art field and its system of representations.Darvish\u2019s work adopts tactics of gazing at the female body derived from Western art and culture, adopted in order to sabotage and puncture, destroy and rupture the very works from which they were derived. Her works and installations underscore formal aspects and the power of beauty\u2014of wounds, cuts, imperfections\u2014that underpin her artistic endeavor. 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