{"id":35459,"date":"2024-02-23T14:56:17","date_gmt":"2024-02-23T13:56:40","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&p=35459"},"modified":"2024-07-21T05:32:44","modified_gmt":"2024-07-21T03:32:44","slug":"this-train-limited-edition","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/this-train-limited-edition\/","title":{"rendered":"This Train"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":35446,"template":"","meta":[],"product_cat":[61],"product_tag":[],"acf":[],"yoast_head":"\nThis Train Justine Kurland - delpire & co<\/title>\n<meta name=\"description\" content=\"This new publication from Justine Kurland presents two interwoven narratives drawn from the road trips across the United States that she undertook with her young child between the years 2005 and 2010. The first thread is a sequence of arresting large-format photographs of her child and herself, disentangled from the renowned images of roads, trains, infrastructure, and fellow travelers Kurland was making at the same time. Revisiting these photographs, Kurland suggests a clarified reading of them as an anti-history of family and travel, upending the conventional family album to tell a story of queer motherhood and image-making in step with Kurland\u2019s maternal line, for whom crossing the American landscape was a matter of dire necessity.On the other side of this unspooling concertina publication are Kurland\u2019s photographs of the railroads which traverse the American landscape. Deconstructing the familiar mythology of the railway as a pioneering symbol of modernity, these images observe the reality of the ways these routes carve and stain the landscape, often overwhelmed by surrounding nature, leaving behind barren strips of sun-stained asphalt and eerily perfect parallel tracks. Bookended by new texts from Constance Debr\u00e9 and Lily Cho, This Train treats the American landscape as the fabricated tableau that it is, a cultural fable which conceals histories of Chinese migrant labor and the human cost of freedom. Kurland re-appraises an interwoven set of paradigms which retain a tenacious grip on contemporary American life: the nuclear family, the open road, the violence of expansion, and the intractable force of the land itself.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/this-train-limited-edition\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"This Train Justine Kurland - delpire & co\" \/>\n<meta property=\"og:description\" content=\"This new publication from Justine Kurland presents two interwoven narratives drawn from the road trips across the United States that she undertook with her young child between the years 2005 and 2010. The first thread is a sequence of arresting large-format photographs of her child and herself, disentangled from the renowned images of roads, trains, infrastructure, and fellow travelers Kurland was making at the same time. Revisiting these photographs, Kurland suggests a clarified reading of them as an anti-history of family and travel, upending the conventional family album to tell a story of queer motherhood and image-making in step with Kurland\u2019s maternal line, for whom crossing the American landscape was a matter of dire necessity.On the other side of this unspooling concertina publication are Kurland\u2019s photographs of the railroads which traverse the American landscape. Deconstructing the familiar mythology of the railway as a pioneering symbol of modernity, these images observe the reality of the ways these routes carve and stain the landscape, often overwhelmed by surrounding nature, leaving behind barren strips of sun-stained asphalt and eerily perfect parallel tracks. Bookended by new texts from Constance Debr\u00e9 and Lily Cho, This Train treats the American landscape as the fabricated tableau that it is, a cultural fable which conceals histories of Chinese migrant labor and the human cost of freedom. 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The first thread is a sequence of arresting large-format photographs of her child and herself, disentangled from the renowned images of roads, trains, infrastructure, and fellow travelers Kurland was making at the same time. Revisiting these photographs, Kurland suggests a clarified reading of them as an anti-history of family and travel, upending the conventional family album to tell a story of queer motherhood and image-making in step with Kurland\u2019s maternal line, for whom crossing the American landscape was a matter of dire necessity.On the other side of this unspooling concertina publication are Kurland\u2019s photographs of the railroads which traverse the American landscape. 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