{"id":30280,"date":"2023-10-18T16:06:41","date_gmt":"2023-10-18T14:07:27","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&p=30280"},"modified":"2024-05-17T19:07:38","modified_gmt":"2024-05-17T17:07:38","slug":"ghar","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/ghar\/","title":{"rendered":"Ghar"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":30264,"template":"","meta":[],"product_cat":[61],"product_tag":[],"acf":[],"yoast_head":"\nGhar Anu Kumar - delpire & co<\/title>\n<meta name=\"description\" content=\"Ideas around place and identity have never been unequivocal for Anu Kumar. When the young Melbourne-based photographer returned to to her birthplace of Kavi Nagar, India, for the first time since childhood at age twenty-one, she felt at sea. \u2018I remember a feeling of discomfort, of not knowing my place or who I was in that context,\u2019 she says. \u2018I began taking photos as an exercise in learning how to be Indian.\u2019 The term Ghar, meaning \u2018home\u2019 in Hindi, doubles as the title of this, her debut book, and the broader outcome of her pursuit \u2013 one that is as much a new beginning as it is a homecoming. Shooting over a period of five years on a medium format camera, Kumar\u2019s soft gaze meanders between the rooms and courtyards of the family home in Kavi Nagar, and out onto the neighbouring streets, sketching out the symbolic and aesthetic markers of a personal and cultural heritage. Formal portraits of her grandmother, aunts and uncles, echoing the traditional family album, give way to intimate scenes of daily tasks and quiet idleness \u2013 a thorough visual record to preserve intergenerational gestures and familial rituals that may otherwise linger in the undocumented everyday.Kumar\u2019s search for familial closeness was suddenly given a new sense of universality when the COVID-19 pandemic closed Australia\u2019s international borders for almost two years. Edited and sequenced during this period, Ghar also speaks to the enforced distance experienced by cross-cultural families, and the role of photographs as vessels for intimacy and connection. The series contemplates \u2018home\u2019 in all its multiplicities. A place, a sentiment, a responsibility; something at once inherently familiar and other times distant and incongruous.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/ghar\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ghar Anu Kumar - delpire & co\" \/>\n<meta property=\"og:description\" content=\"Ideas around place and identity have never been unequivocal for Anu Kumar. When the young Melbourne-based photographer returned to to her birthplace of Kavi Nagar, India, for the first time since childhood at age twenty-one, she felt at sea. \u2018I remember a feeling of discomfort, of not knowing my place or who I was in that context,\u2019 she says. \u2018I began taking photos as an exercise in learning how to be Indian.\u2019 The term Ghar, meaning \u2018home\u2019 in Hindi, doubles as the title of this, her debut book, and the broader outcome of her pursuit \u2013 one that is as much a new beginning as it is a homecoming. Shooting over a period of five years on a medium format camera, Kumar\u2019s soft gaze meanders between the rooms and courtyards of the family home in Kavi Nagar, and out onto the neighbouring streets, sketching out the symbolic and aesthetic markers of a personal and cultural heritage. Formal portraits of her grandmother, aunts and uncles, echoing the traditional family album, give way to intimate scenes of daily tasks and quiet idleness \u2013 a thorough visual record to preserve intergenerational gestures and familial rituals that may otherwise linger in the undocumented everyday.Kumar\u2019s search for familial closeness was suddenly given a new sense of universality when the COVID-19 pandemic closed Australia\u2019s international borders for almost two years. Edited and sequenced during this period, Ghar also speaks to the enforced distance experienced by cross-cultural families, and the role of photographs as vessels for intimacy and connection. The series contemplates \u2018home\u2019 in all its multiplicities. A place, a sentiment, a responsibility; something at once inherently familiar and other times distant and incongruous.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/produit\/ghar\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire & co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"article:modified_time\" content=\"2024-05-17T17:07:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2023\/10\/ghar-kumar-perimeter-editions-cover-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1706\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/ghar\/\",\"url\":\"https:\/\/www.delpireandco.com\/en\/produit\/ghar\/\",\"name\":\"Ghar Anu Kumar - delpire & co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/#website\"},\"datePublished\":\"2023-10-18T14:07:27+00:00\",\"dateModified\":\"2024-05-17T17:07:38+00:00\",\"description\":\"Ideas around place and identity have never been unequivocal for Anu Kumar. When the young Melbourne-based photographer returned to to her birthplace of Kavi Nagar, India, for the first time since childhood at age twenty-one, she felt at sea. \u2018I remember a feeling of discomfort, of not knowing my place or who I was in that context,\u2019 she says. \u2018I began taking photos as an exercise in learning how to be Indian.\u2019 The term Ghar, meaning \u2018home\u2019 in Hindi, doubles as the title of this, her debut book, and the broader outcome of her pursuit \u2013 one that is as much a new beginning as it is a homecoming. Shooting over a period of five years on a medium format camera, Kumar\u2019s soft gaze meanders between the rooms and courtyards of the family home in Kavi Nagar, and out onto the neighbouring streets, sketching out the symbolic and aesthetic markers of a personal and cultural heritage. Formal portraits of her grandmother, aunts and uncles, echoing the traditional family album, give way to intimate scenes of daily tasks and quiet idleness \u2013 a thorough visual record to preserve intergenerational gestures and familial rituals that may otherwise linger in the undocumented everyday.Kumar\u2019s search for familial closeness was suddenly given a new sense of universality when the COVID-19 pandemic closed Australia\u2019s international borders for almost two years. Edited and sequenced during this period, Ghar also speaks to the enforced distance experienced by cross-cultural families, and the role of photographs as vessels for intimacy and connection. The series contemplates \u2018home\u2019 in all its multiplicities. 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When the young Melbourne-based photographer returned to to her birthplace of Kavi Nagar, India, for the first time since childhood at age twenty-one, she felt at sea. \u2018I remember a feeling of discomfort, of not knowing my place or who I was in that context,\u2019 she says. \u2018I began taking photos as an exercise in learning how to be Indian.\u2019 The term Ghar, meaning \u2018home\u2019 in Hindi, doubles as the title of this, her debut book, and the broader outcome of her pursuit \u2013 one that is as much a new beginning as it is a homecoming. Shooting over a period of five years on a medium format camera, Kumar\u2019s soft gaze meanders between the rooms and courtyards of the family home in Kavi Nagar, and out onto the neighbouring streets, sketching out the symbolic and aesthetic markers of a personal and cultural heritage. Formal portraits of her grandmother, aunts and uncles, echoing the traditional family album, give way to intimate scenes of daily tasks and quiet idleness \u2013 a thorough visual record to preserve intergenerational gestures and familial rituals that may otherwise linger in the undocumented everyday.Kumar\u2019s search for familial closeness was suddenly given a new sense of universality when the COVID-19 pandemic closed Australia\u2019s international borders for almost two years. Edited and sequenced during this period, Ghar also speaks to the enforced distance experienced by cross-cultural families, and the role of photographs as vessels for intimacy and connection. The series contemplates \u2018home\u2019 in all its multiplicities. 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