{"id":29668,"date":"2023-10-04T12:06:25","date_gmt":"2023-10-04T10:07:44","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&p=29668"},"modified":"2024-06-20T11:27:44","modified_gmt":"2024-06-20T09:27:44","slug":"a-partir-delle","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/a-partir-delle\/","title":{"rendered":"\u00c0 partir d’Elle"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":30512,"template":"","meta":[],"product_cat":[61],"product_tag":[],"acf":[],"yoast_head":"\n\u00c0 partir d'Elle Julie H\u00e9raut - delpire & co<\/title>\n<meta name=\"description\" content=\"At a time when the institution of the family is being called into question in ways that are both necessary and salutary, and when the roles assigned to it need to be re-imagined, taking account of the diversity of approaches deployed by artists to represent this primary relationship raises the question of the interweaving of the intimate and the political. With them, the mother becomes a reflection of oneself, of one's own history, of what constitutes us and impresses us, but also a reflection of the world, its codes, shackles and structures. "Where do I fit in," they seem to be saying...What do the works in this book have in common? They were conceived in a t\u00eate-\u00e0-t\u00eate between the artist and her mother.This face-to-face encounter may be part of a collaboration, whether consensual, passive or submissive, as in the photographic series by Latoya Ruby Frazier or Gao Shan, and the videos by Anri Sala or Ragnar Kjartansson. The presence of the mother can also be evoked through plastic processes, as in the work of Chantal Ackerman, Lebohang Kganye and Ishiuchi Miyako. Whether they seek to embody the reality of presence or the effects of absence, they all have in common that they consider filiation as a way of rethinking relational models, between social criticism, the quest for self, conjuration or appeasement. Here, the mother becomes a mirror.The selected works are accompanied by texts by the artists, evoking the singularity and the explicit or implicit issues at stake in these works. The radical, uncluttered layout creates a strong link between text and images, allowing readers to move from one artist to the next as they explore this universal theme.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/a-partir-delle\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00c0 partir d'Elle Julie H\u00e9raut - delpire & co\" \/>\n<meta property=\"og:description\" content=\"At a time when the institution of the family is being called into question in ways that are both necessary and salutary, and when the roles assigned to it need to be re-imagined, taking account of the diversity of approaches deployed by artists to represent this primary relationship raises the question of the interweaving of the intimate and the political. With them, the mother becomes a reflection of oneself, of one's own history, of what constitutes us and impresses us, but also a reflection of the world, its codes, shackles and structures. "Where do I fit in," they seem to be saying...What do the works in this book have in common? They were conceived in a t\u00eate-\u00e0-t\u00eate between the artist and her mother.This face-to-face encounter may be part of a collaboration, whether consensual, passive or submissive, as in the photographic series by Latoya Ruby Frazier or Gao Shan, and the videos by Anri Sala or Ragnar Kjartansson. The presence of the mother can also be evoked through plastic processes, as in the work of Chantal Ackerman, Lebohang Kganye and Ishiuchi Miyako. Whether they seek to embody the reality of presence or the effects of absence, they all have in common that they consider filiation as a way of rethinking relational models, between social criticism, the quest for self, conjuration or appeasement. Here, the mother becomes a mirror.The selected works are accompanied by texts by the artists, evoking the singularity and the explicit or implicit issues at stake in these works. The radical, uncluttered layout creates a strong link between text and images, allowing readers to move from one artist to the next as they explore this universal theme.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/produit\/a-partir-delle\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire & co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"article:modified_time\" content=\"2024-06-20T09:27:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2023\/10\/a-partir-d-elle-julie-herault-delpire-and-co-cover.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/a-partir-delle\/\",\"url\":\"https:\/\/www.delpireandco.com\/en\/produit\/a-partir-delle\/\",\"name\":\"\u00c0 partir d'Elle Julie H\u00e9raut - delpire & co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/#website\"},\"datePublished\":\"2023-10-04T10:07:44+00:00\",\"dateModified\":\"2024-06-20T09:27:44+00:00\",\"description\":\"At a time when the institution of the family is being called into question in ways that are both necessary and salutary, and when the roles assigned to it need to be re-imagined, taking account of the diversity of approaches deployed by artists to represent this primary relationship raises the question of the interweaving of the intimate and the political. With them, the mother becomes a reflection of oneself, of one's own history, of what constitutes us and impresses us, but also a reflection of the world, its codes, shackles and structures. \\\"Where do I fit in,\\\" they seem to be saying...What do the works in this book have in common? They were conceived in a t\u00eate-\u00e0-t\u00eate between the artist and her mother.This face-to-face encounter may be part of a collaboration, whether consensual, passive or submissive, as in the photographic series by Latoya Ruby Frazier or Gao Shan, and the videos by Anri Sala or Ragnar Kjartansson. The presence of the mother can also be evoked through plastic processes, as in the work of Chantal Ackerman, Lebohang Kganye and Ishiuchi Miyako. Whether they seek to embody the reality of presence or the effects of absence, they all have in common that they consider filiation as a way of rethinking relational models, between social criticism, the quest for self, conjuration or appeasement. Here, the mother becomes a mirror.The selected works are accompanied by texts by the artists, evoking the singularity and the explicit or implicit issues at stake in these works. 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