{"id":2767,"date":"2021-07-25T23:30:31","date_gmt":"2021-07-25T21:30:31","guid":{"rendered":"https:\/\/www.delpireandco.com\/produit\/an-interview-with-lewis-baltz\/"},"modified":"2023-07-14T19:11:22","modified_gmt":"2023-07-14T17:11:22","slug":"an-interview-with-lewis-baltz","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/an-interview-with-lewis-baltz\/","title":{"rendered":"An Interview with Lewis Baltz"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":2765,"template":"","meta":[],"product_cat":[61],"product_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"description\" content=\"&quot;The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.\u201d In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz\u2019s artistry and mercurial presence are strikingly laid bare. Baltz\u2019s interview is fully annotated with an introductory essay by Duncan Forbes.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/an-interview-with-lewis-baltz\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"An Interview with Lewis Baltz Duncan Forbes - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"&quot;The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.\u201d In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz\u2019s artistry and mercurial presence are strikingly laid bare. 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