{"id":27563,"date":"2023-09-28T11:39:06","date_gmt":"2023-10-03T11:37:27","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&p=27563"},"modified":"2023-12-09T19:46:10","modified_gmt":"2023-12-09T18:46:10","slug":"the-new-york-times-paintings-november-december-2015","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/the-new-york-times-paintings-november-december-2015\/","title":{"rendered":"The New York Times Paintings : November-December 2015"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":27560,"template":"","meta":[],"product_cat":[61],"product_tag":[],"acf":[],"yoast_head":"\nThe New York Times Paintings : November-December 2015 Wade Guyton - delpire & co<\/title>\n<meta name=\"description\" content=\"Published in celebration of Guyton\u2019s eponymous 2016 painting exhibition at Petzel (November 10, 2016 \u2013 January 14, 2017). The exhibition focused on a selection of works from late 2015. They are all from an ongoing series of paintings in which the artist uses images captured from The New York Times website. They are made with an Epson 9900 printer, and the ink is UltraChrome HDR.From a New York Times review by Jason Farago:\u201cThe series is The New York Times Paintings: November-December 2015, though to call these works paintings is to give half the game away. Mr. Guyton does not use brushes, but rather produces designs as digital files and outputs them to a large inkjet printer. As with Andy Warhol\u2019s silk screens or Christopher Wool\u2019s early stencils, his paintings make a virtue of suppressing the artist\u2019s hand; where Warhol once said he wanted to paint \u201clike a machine,\u201d Mr. Guyton really does it. But just as Warhol never really gave up artistic control when embracing mechanical methods, Mr. Guyton, too, finds a voice in seeming automation. Even the simplest of digital gestures \u2014 once typing the letter X, now taking a millisecond\u2019s screenshot \u2014 has some artistic motive, and the translation from JPEG to canvas introduces its own formal kinks.\u201d\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/the-new-york-times-paintings-november-december-2015\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The New York Times Paintings : November-December 2015 Wade Guyton - delpire & co\" \/>\n<meta property=\"og:description\" content=\"Published in celebration of Guyton\u2019s eponymous 2016 painting exhibition at Petzel (November 10, 2016 \u2013 January 14, 2017). The exhibition focused on a selection of works from late 2015. They are all from an ongoing series of paintings in which the artist uses images captured from The New York Times website. They are made with an Epson 9900 printer, and the ink is UltraChrome HDR.From a New York Times review by Jason Farago:\u201cThe series is The New York Times Paintings: November-December 2015, though to call these works paintings is to give half the game away. Mr. Guyton does not use brushes, but rather produces designs as digital files and outputs them to a large inkjet printer. As with Andy Warhol\u2019s silk screens or Christopher Wool\u2019s early stencils, his paintings make a virtue of suppressing the artist\u2019s hand; where Warhol once said he wanted to paint \u201clike a machine,\u201d Mr. Guyton really does it. But just as Warhol never really gave up artistic control when embracing mechanical methods, Mr. Guyton, too, finds a voice in seeming automation. Even the simplest of digital gestures \u2014 once typing the letter X, now taking a millisecond\u2019s screenshot \u2014 has some artistic motive, and the translation from JPEG to canvas introduces its own formal kinks.\u201d\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/produit\/the-new-york-times-paintings-november-december-2015\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire & co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"article:modified_time\" content=\"2023-12-09T18:46:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2023\/08\/the-new-york-times-paintings-november-december-2015-guyton-petzel-cover.png\" \/>\n\t<meta property=\"og:image:width\" content=\"2125\" \/>\n\t<meta property=\"og:image:height\" content=\"1417\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/the-new-york-times-paintings-november-december-2015\/\",\"url\":\"https:\/\/www.delpireandco.com\/en\/produit\/the-new-york-times-paintings-november-december-2015\/\",\"name\":\"The New York Times Paintings : November-December 2015 Wade Guyton - delpire & co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/#website\"},\"datePublished\":\"2023-10-03T11:37:27+00:00\",\"dateModified\":\"2023-12-09T18:46:10+00:00\",\"description\":\"Published in celebration of Guyton\u2019s eponymous 2016 painting exhibition at Petzel (November 10, 2016 \u2013 January 14, 2017). The exhibition focused on a selection of works from late 2015. They are all from an ongoing series of paintings in which the artist uses images captured from The New York Times website. They are made with an Epson 9900 printer, and the ink is UltraChrome HDR.From a New York Times review by Jason Farago:\u201cThe series is The New York Times Paintings: November-December 2015, though to call these works paintings is to give half the game away. Mr. Guyton does not use brushes, but rather produces designs as digital files and outputs them to a large inkjet printer. As with Andy Warhol\u2019s silk screens or Christopher Wool\u2019s early stencils, his paintings make a virtue of suppressing the artist\u2019s hand; where Warhol once said he wanted to paint \u201clike a machine,\u201d Mr. Guyton really does it. But just as Warhol never really gave up artistic control when embracing mechanical methods, Mr. Guyton, too, finds a voice in seeming automation. 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