{"id":26785,"date":"2023-07-24T15:20:37","date_gmt":"2023-07-24T13:20:38","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&#038;p=26785"},"modified":"2023-07-24T15:20:39","modified_gmt":"2023-07-24T13:20:39","slug":"sgrafo-vs-fat-lava","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/sgrafo-vs-fat-lava\/","title":{"rendered":"Sgrafo vs Fat Lava"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":26776,"template":"","meta":[],"product_cat":[61],"product_tag":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Sgrafo vs Fat Lava Nicolas Trembley - delpire &amp; co<\/title>\n<meta name=\"description\" content=\"Whether it is a question of Sgrafo vases, of Raymond Loewy\u2019s \u201cForm 2000\u201d for Rosenthal (1954), or of the improbable \u201cFat Lava\u201dglacis of the 1970s, postwar German ceramics attest to a surprising stylistic inventiveness and diversity.Through these creations, both well-known and anonymous designers knew how to capture the impulses of a society in the middle of reconstruction and desirous of looking to the future. Mixing references to Op art, the geometry of a Verner Panton, or the vegetal style of the hippie wave, these objects follow a path of exaggerated shape unique in the history of forms.In this sense they simultaneously incarnate the inevitable bombacity that menaces design, and its aspirations to autonomy as a quasi-artistic practice. It is this crossing of intentions and this body of supposedly ordinary objects that this publication explores, with a text by the specialist Horst Markus, and an interview with the designer Ronan Bouroullec.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/sgrafo-vs-fat-lava\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sgrafo vs Fat Lava Nicolas Trembley - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"Whether it is a question of Sgrafo vases, of Raymond Loewy\u2019s \u201cForm 2000\u201d for Rosenthal (1954), or of the improbable \u201cFat Lava\u201dglacis of the 1970s, postwar German ceramics attest to a surprising stylistic inventiveness and diversity.Through these creations, both well-known and anonymous designers knew how to capture the impulses of a society in the middle of reconstruction and desirous of looking to the future. Mixing references to Op art, the geometry of a Verner Panton, or the vegetal style of the hippie wave, these objects follow a path of exaggerated shape unique in the history of forms.In this sense they simultaneously incarnate the inevitable bombacity that menaces design, and its aspirations to autonomy as a quasi-artistic practice. It is this crossing of intentions and this body of supposedly ordinary objects that this publication explores, with a text by the specialist Horst Markus, and an interview with the designer Ronan Bouroullec.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/produit\/sgrafo-vs-fat-lava\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire &amp; co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-24T13:20:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2023\/07\/sgrafo-vs-fat-lava-trembley-jrp-editions-cover.png\" \/>\n\t<meta property=\"og:image:width\" content=\"2125\" \/>\n\t<meta property=\"og:image:height\" content=\"1417\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/sgrafo-vs-fat-lava\/\",\"url\":\"https:\/\/www.delpireandco.com\/en\/produit\/sgrafo-vs-fat-lava\/\",\"name\":\"Sgrafo vs Fat Lava Nicolas Trembley - delpire &amp; co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/#website\"},\"datePublished\":\"2023-07-24T13:20:38+00:00\",\"dateModified\":\"2023-07-24T13:20:39+00:00\",\"description\":\"Whether it is a question of Sgrafo vases, of Raymond Loewy\u2019s \u201cForm 2000\u201d for Rosenthal (1954), or of the improbable \u201cFat Lava\u201dglacis of the 1970s, postwar German ceramics attest to a surprising stylistic inventiveness and diversity.Through these creations, both well-known and anonymous designers knew how to capture the impulses of a society in the middle of reconstruction and desirous of looking to the future. Mixing references to Op art, the geometry of a Verner Panton, or the vegetal style of the hippie wave, these objects follow a path of exaggerated shape unique in the history of forms.In this sense they simultaneously incarnate the inevitable bombacity that menaces design, and its aspirations to autonomy as a quasi-artistic practice. It is this crossing of intentions and this body of supposedly ordinary objects that this publication explores, with a text by the specialist Horst Markus, and an interview with the designer Ronan Bouroullec.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/sgrafo-vs-fat-lava\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.delpireandco.com\/en\/produit\/sgrafo-vs-fat-lava\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/sgrafo-vs-fat-lava\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Shop\",\"item\":\"https:\/\/www.delpireandco.com\/en\/shop\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sgrafo vs Fat Lava\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/#website\",\"url\":\"https:\/\/www.delpireandco.com\/en\/\",\"name\":\"delpire &amp; co\",\"description\":\"Librairie Photo - \u00c9diteur - photobooks\",\"publisher\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.delpireandco.com\/en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/#organization\",\"name\":\"delpire & co\",\"url\":\"https:\/\/www.delpireandco.com\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/logotype-delpire.png\",\"contentUrl\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/logotype-delpire.png\",\"width\":307,\"height\":55,\"caption\":\"delpire & co\"},\"image\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/delpireandco\",\"https:\/\/twitter.com\/DelpireEditeur\",\"https:\/\/www.instagram.com\/delpireandco\/\",\"https:\/\/fr.linkedin.com\/company\/delpire-co\",\"https:\/\/www.youtube.com\/c\/delpireco\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sgrafo vs Fat Lava Nicolas Trembley - delpire &amp; co","description":"Whether it is a question of Sgrafo vases, of Raymond Loewy\u2019s \u201cForm 2000\u201d for Rosenthal (1954), or of the improbable \u201cFat Lava\u201dglacis of the 1970s, postwar German ceramics attest to a surprising stylistic inventiveness and diversity.Through these creations, both well-known and anonymous designers knew how to capture the impulses of a society in the middle of reconstruction and desirous of looking to the future. Mixing references to Op art, the geometry of a Verner Panton, or the vegetal style of the hippie wave, these objects follow a path of exaggerated shape unique in the history of forms.In this sense they simultaneously incarnate the inevitable bombacity that menaces design, and its aspirations to autonomy as a quasi-artistic practice. It is this crossing of intentions and this body of supposedly ordinary objects that this publication explores, with a text by the specialist Horst Markus, and an interview with the designer Ronan Bouroullec.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.delpireandco.com\/en\/produit\/sgrafo-vs-fat-lava\/","og_locale":"en_US","og_type":"article","og_title":"Sgrafo vs Fat Lava Nicolas Trembley - delpire &amp; co","og_description":"Whether it is a question of Sgrafo vases, of Raymond Loewy\u2019s \u201cForm 2000\u201d for Rosenthal (1954), or of the improbable \u201cFat Lava\u201dglacis of the 1970s, postwar German ceramics attest to a surprising stylistic inventiveness and diversity.Through these creations, both well-known and anonymous designers knew how to capture the impulses of a society in the middle of reconstruction and desirous of looking to the future. Mixing references to Op art, the geometry of a Verner Panton, or the vegetal style of the hippie wave, these objects follow a path of exaggerated shape unique in the history of forms.In this sense they simultaneously incarnate the inevitable bombacity that menaces design, and its aspirations to autonomy as a quasi-artistic practice. It is this crossing of intentions and this body of supposedly ordinary objects that this publication explores, with a text by the specialist Horst Markus, and an interview with the designer Ronan Bouroullec.","og_url":"https:\/\/www.delpireandco.com\/en\/produit\/sgrafo-vs-fat-lava\/","og_site_name":"delpire &amp; co","article_publisher":"https:\/\/www.facebook.com\/delpireandco","article_modified_time":"2023-07-24T13:20:39+00:00","og_image":[{"width":2125,"height":1417,"url":"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2023\/07\/sgrafo-vs-fat-lava-trembley-jrp-editions-cover.png","type":"image\/png"}],"twitter_card":"summary_large_image","twitter_site":"@DelpireEditeur","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.delpireandco.com\/en\/produit\/sgrafo-vs-fat-lava\/","url":"https:\/\/www.delpireandco.com\/en\/produit\/sgrafo-vs-fat-lava\/","name":"Sgrafo vs Fat Lava Nicolas Trembley - delpire &amp; co","isPartOf":{"@id":"https:\/\/www.delpireandco.com\/en\/#website"},"datePublished":"2023-07-24T13:20:38+00:00","dateModified":"2023-07-24T13:20:39+00:00","description":"Whether it is a question of Sgrafo vases, of Raymond Loewy\u2019s \u201cForm 2000\u201d for Rosenthal (1954), or of the improbable \u201cFat Lava\u201dglacis of the 1970s, postwar German ceramics attest to a surprising stylistic inventiveness and diversity.Through these creations, both well-known and anonymous designers knew how to capture the impulses of a society in the middle of reconstruction and desirous of looking to the future. Mixing references to Op art, the geometry of a Verner Panton, or the vegetal style of the hippie wave, these objects follow a path of exaggerated shape unique in the history of forms.In this sense they simultaneously incarnate the inevitable bombacity that menaces design, and its aspirations to autonomy as a quasi-artistic practice. It is this crossing of intentions and this body of supposedly ordinary objects that this publication explores, with a text by the specialist Horst Markus, and an interview with the designer Ronan Bouroullec.","breadcrumb":{"@id":"https:\/\/www.delpireandco.com\/en\/produit\/sgrafo-vs-fat-lava\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.delpireandco.com\/en\/produit\/sgrafo-vs-fat-lava\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.delpireandco.com\/en\/produit\/sgrafo-vs-fat-lava\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Shop","item":"https:\/\/www.delpireandco.com\/en\/shop\/"},{"@type":"ListItem","position":2,"name":"Sgrafo vs Fat Lava"}]},{"@type":"WebSite","@id":"https:\/\/www.delpireandco.com\/en\/#website","url":"https:\/\/www.delpireandco.com\/en\/","name":"delpire &amp; co","description":"Librairie Photo - \u00c9diteur - photobooks","publisher":{"@id":"https:\/\/www.delpireandco.com\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.delpireandco.com\/en\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.delpireandco.com\/en\/#organization","name":"delpire & co","url":"https:\/\/www.delpireandco.com\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.delpireandco.com\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/logotype-delpire.png","contentUrl":"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/logotype-delpire.png","width":307,"height":55,"caption":"delpire & co"},"image":{"@id":"https:\/\/www.delpireandco.com\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/delpireandco","https:\/\/twitter.com\/DelpireEditeur","https:\/\/www.instagram.com\/delpireandco\/","https:\/\/fr.linkedin.com\/company\/delpire-co","https:\/\/www.youtube.com\/c\/delpireco"]}]}},"_links":{"self":[{"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/product\/26785"}],"collection":[{"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/types\/product"}],"version-history":[{"count":1,"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/product\/26785\/revisions"}],"predecessor-version":[{"id":26786,"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/product\/26785\/revisions\/26786"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/media\/26776"}],"wp:attachment":[{"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/media?parent=26785"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/product_cat?post=26785"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/product_tag?post=26785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}