{"id":26659,"date":"2023-07-24T15:21:17","date_gmt":"2023-07-24T13:21:20","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&#038;p=26659"},"modified":"2023-07-24T15:21:21","modified_gmt":"2023-07-24T13:21:21","slug":"imagier","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/imagier\/","title":{"rendered":"Imagier"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":26656,"template":"","meta":[],"product_cat":[61],"product_tag":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Imagier Hippolyte Hentgen - delpire &amp; co<\/title>\n<meta name=\"description\" content=\"A retrospective of thirteen years of image production by the artist duo Hippolyte Hentgen. The four-handed drawing practiced by Hippolyte Hentgen has gradually mutated into a practice of the image in the broadest sense: by collages, heterogeneous documentary borrowings ... Imagier brings together thirteen years of production by the two artists, from 2009 to 2022. In the introduction, Claire Gilman explores the anti-hierarchical way in which Hippolyte Hentgen makes images. A long-term interview with Tony C\u00f4me then allows us to revisit their practice of collecting and quoting, and by implication, the historical conditions of the production of drawing. Finally, a contribution by Jad Fair brings this generous monograph to a poetic close.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/imagier\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Imagier Hippolyte Hentgen - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"A retrospective of thirteen years of image production by the artist duo Hippolyte Hentgen. The four-handed drawing practiced by Hippolyte Hentgen has gradually mutated into a practice of the image in the broadest sense: by collages, heterogeneous documentary borrowings ... Imagier brings together thirteen years of production by the two artists, from 2009 to 2022. In the introduction, Claire Gilman explores the anti-hierarchical way in which Hippolyte Hentgen makes images. A long-term interview with Tony C\u00f4me then allows us to revisit their practice of collecting and quoting, and by implication, the historical conditions of the production of drawing. 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