{"id":24629,"date":"2023-06-05T17:48:18","date_gmt":"2023-06-05T15:48:42","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&#038;p=24629"},"modified":"2024-05-01T16:11:37","modified_gmt":"2024-05-01T14:11:37","slug":"pots-robert-auguste-gyn-gausserand","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/pots-robert-auguste-gyn-gausserand\/","title":{"rendered":"POTS, ROBERT AUGUSTE &#038; GYN GAUSSERAND"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":24627,"template":"","meta":[],"product_cat":[61],"product_tag":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>POTS, ROBERT AUGUSTE &amp; GYN GAUSSERAND Gyn Gausserand \/ Robert Auguste - delpire &amp; co<\/title>\n<meta name=\"description\" content=\"Gyn Gausserand and Robert Auguste met in 1948 at the Fontcarrade pottery school in Montpellier. They shared the same studio throughout their lives; first in Vallauris with the whole gang (Capron, Derval, Kostanda, Picasso of course, Picault, Rami\u00e9, etc.), then in Millau, and finally in Pouzilhac where they settled in a studio house to work more and better\u2014to create their world.This book is an opportunity to shed light on a pottery workshop that was active for nearly seventy years, from the early 1950s until 2017, by highlighting its technical, ideological and cultural aspects. In Vallauris, their production was already polymorphous: the resolutely modern and free approach of the duo formed by Gyn and Robert is remarkable and concurrent with their work in other workshops. Gyn made decors at their neighbour Jacques Lignier, while Robert worked as a turner with Odette Gourju Naumowitch and her husband Ljuba (parents of Jacques Innocenti) at the Grand Ch\u00eane workshop. Their creations, signed RGA Vallauris, RGA, R et G Auguste, RA, GG, Gyn, reveal not just culinary pieces but also pots with a sculptural appearance and panels with painted decorations that take on a truly artistic dimension, one beyond the mere sense of use. When they left Vallauris, Gyn and Robert made their autonomy a priority. The most important thing was to make themselves available for encounters in their pottery studio\u2014the place where they made and sold their work. The talent of these two potters, who were allies from the start, is to have developed throughout their lives a vocabulary of very identifiable forms present from the beginning of their activity. Their fidelity to this style is verified by the numerous archival images and signatures from all eras presenting minute variations in decoration.The charismatic Robert and Gyn had very different personalities and, conscious of their complementarity, chose an alternative lifestyle that serves as an early echo of today&#039;s revival of the earth trades.This publication includes excerpts from interviews, selections from photographic and written archives (letters, drawings, poems, chemical formulas, accounting records), and contemporary in situ photographs taken by the artist-filmmaker Ben Russell of the pieces remaining in what was Robert and Gyn&#039;s last pottery workshop. This monograph is co-published by IRIS \u00e9ditions and Dent-de-Leone.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/pots-robert-auguste-gyn-gausserand\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"POTS, ROBERT AUGUSTE &amp; GYN GAUSSERAND Gyn Gausserand \/ Robert Auguste - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"Gyn Gausserand and Robert Auguste met in 1948 at the Fontcarrade pottery school in Montpellier. They shared the same studio throughout their lives; first in Vallauris with the whole gang (Capron, Derval, Kostanda, Picasso of course, Picault, Rami\u00e9, etc.), then in Millau, and finally in Pouzilhac where they settled in a studio house to work more and better\u2014to create their world.This book is an opportunity to shed light on a pottery workshop that was active for nearly seventy years, from the early 1950s until 2017, by highlighting its technical, ideological and cultural aspects. In Vallauris, their production was already polymorphous: the resolutely modern and free approach of the duo formed by Gyn and Robert is remarkable and concurrent with their work in other workshops. Gyn made decors at their neighbour Jacques Lignier, while Robert worked as a turner with Odette Gourju Naumowitch and her husband Ljuba (parents of Jacques Innocenti) at the Grand Ch\u00eane workshop. Their creations, signed RGA Vallauris, RGA, R et G Auguste, RA, GG, Gyn, reveal not just culinary pieces but also pots with a sculptural appearance and panels with painted decorations that take on a truly artistic dimension, one beyond the mere sense of use. When they left Vallauris, Gyn and Robert made their autonomy a priority. The most important thing was to make themselves available for encounters in their pottery studio\u2014the place where they made and sold their work. The talent of these two potters, who were allies from the start, is to have developed throughout their lives a vocabulary of very identifiable forms present from the beginning of their activity. Their fidelity to this style is verified by the numerous archival images and signatures from all eras presenting minute variations in decoration.The charismatic Robert and Gyn had very different personalities and, conscious of their complementarity, chose an alternative lifestyle that serves as an early echo of today&#039;s revival of the earth trades.This publication includes excerpts from interviews, selections from photographic and written archives (letters, drawings, poems, chemical formulas, accounting records), and contemporary in situ photographs taken by the artist-filmmaker Ben Russell of the pieces remaining in what was Robert and Gyn&#039;s last pottery workshop. This monograph is co-published by IRIS \u00e9ditions and Dent-de-Leone.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/produit\/pots-robert-auguste-gyn-gausserand\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire &amp; co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"article:modified_time\" content=\"2024-05-01T14:11:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2023\/06\/pots-robert-auguste-gyn-gausserand-iris-editions-cover.png\" \/>\n\t<meta property=\"og:image:width\" content=\"2125\" \/>\n\t<meta property=\"og:image:height\" content=\"1417\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/pots-robert-auguste-gyn-gausserand\/\",\"url\":\"https:\/\/www.delpireandco.com\/en\/produit\/pots-robert-auguste-gyn-gausserand\/\",\"name\":\"POTS, ROBERT AUGUSTE & GYN GAUSSERAND Gyn Gausserand \/ Robert Auguste - delpire &amp; co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/#website\"},\"datePublished\":\"2023-06-05T15:48:42+00:00\",\"dateModified\":\"2024-05-01T14:11:37+00:00\",\"description\":\"Gyn Gausserand and Robert Auguste met in 1948 at the Fontcarrade pottery school in Montpellier. They shared the same studio throughout their lives; first in Vallauris with the whole gang (Capron, Derval, Kostanda, Picasso of course, Picault, Rami\u00e9, etc.), then in Millau, and finally in Pouzilhac where they settled in a studio house to work more and better\u2014to create their world.This book is an opportunity to shed light on a pottery workshop that was active for nearly seventy years, from the early 1950s until 2017, by highlighting its technical, ideological and cultural aspects. In Vallauris, their production was already polymorphous: the resolutely modern and free approach of the duo formed by Gyn and Robert is remarkable and concurrent with their work in other workshops. Gyn made decors at their neighbour Jacques Lignier, while Robert worked as a turner with Odette Gourju Naumowitch and her husband Ljuba (parents of Jacques Innocenti) at the Grand Ch\u00eane workshop. Their creations, signed RGA Vallauris, RGA, R et G Auguste, RA, GG, Gyn, reveal not just culinary pieces but also pots with a sculptural appearance and panels with painted decorations that take on a truly artistic dimension, one beyond the mere sense of use. When they left Vallauris, Gyn and Robert made their autonomy a priority. The most important thing was to make themselves available for encounters in their pottery studio\u2014the place where they made and sold their work. The talent of these two potters, who were allies from the start, is to have developed throughout their lives a vocabulary of very identifiable forms present from the beginning of their activity. Their fidelity to this style is verified by the numerous archival images and signatures from all eras presenting minute variations in decoration.The charismatic Robert and Gyn had very different personalities and, conscious of their complementarity, chose an alternative lifestyle that serves as an early echo of today's revival of the earth trades.This publication includes excerpts from interviews, selections from photographic and written archives (letters, drawings, poems, chemical formulas, accounting records), and contemporary in situ photographs taken by the artist-filmmaker Ben Russell of the pieces remaining in what was Robert and Gyn's last pottery workshop. 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