{"id":23768,"date":"2023-05-15T15:45:24","date_gmt":"2023-05-15T13:45:44","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&#038;p=23768"},"modified":"2023-12-23T14:28:40","modified_gmt":"2023-12-23T13:28:40","slug":"last-day-in-lagos","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/last-day-in-lagos\/","title":{"rendered":"Last Day in Lagos"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":23766,"template":"","meta":[],"product_cat":[61],"product_tag":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Last Day in Lagos Marilyn Nance - delpire &amp; co<\/title>\n<meta name=\"description\" content=\"A focused study on a singular African American photographer, through an archival encounter with her documentation of the landmark FESTAC\u201977 festival. From January 15 to February 12, 1977, more than 15,000 artists, intellectuals and performers from 55 nations worldwide gathered in Lagos, Nigeria, for the Second World Black and African Festival of Arts and Culture, also known as FESTAC\u201977. Taking place in the heyday of Nigeria\u2019s oil wealth and following the African continent\u2019s potent decade of decolonization, FESTAC\u201977 was the peak of Pan-Africanist expression. Among the musicians, writers, artists and cultural leaders in attendance were Ellsworth Ausby, Milford Graves, Fela Anikulapo Kuti, Samella Lewis, Audre Lorde, Winnie Owens, Miriam Makeba, Valerie Maynard, Queen Mother Moore and Sun Ra.While serving as the photographer for the US contingent of the North American delegation, Brooklyn-based photographer Marilyn Nance made more than 1,500 images throughout the course of the festival\u2014one of the most comprehensive photographic accounts of FESTAC\u201977. Drawing from Nance\u2019s extensive archive, most of which has never before been published, Last Day in Lagos chronicles the exuberant intensity and sociopolitical significance of this extraordinary event.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/last-day-in-lagos\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Last Day in Lagos Marilyn Nance - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"A focused study on a singular African American photographer, through an archival encounter with her documentation of the landmark FESTAC\u201977 festival. From January 15 to February 12, 1977, more than 15,000 artists, intellectuals and performers from 55 nations worldwide gathered in Lagos, Nigeria, for the Second World Black and African Festival of Arts and Culture, also known as FESTAC\u201977. Taking place in the heyday of Nigeria\u2019s oil wealth and following the African continent\u2019s potent decade of decolonization, FESTAC\u201977 was the peak of Pan-Africanist expression. Among the musicians, writers, artists and cultural leaders in attendance were Ellsworth Ausby, Milford Graves, Fela Anikulapo Kuti, Samella Lewis, Audre Lorde, Winnie Owens, Miriam Makeba, Valerie Maynard, Queen Mother Moore and Sun Ra.While serving as the photographer for the US contingent of the North American delegation, Brooklyn-based photographer Marilyn Nance made more than 1,500 images throughout the course of the festival\u2014one of the most comprehensive photographic accounts of FESTAC\u201977. Drawing from Nance\u2019s extensive archive, most of which has never before been published, Last Day in Lagos chronicles the exuberant intensity and sociopolitical significance of this extraordinary event.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/produit\/last-day-in-lagos\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire &amp; co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"article:modified_time\" content=\"2023-12-23T13:28:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/11\/last-day-in-lagos-nance-dap-artbook-cover.png\" \/>\n\t<meta property=\"og:image:width\" content=\"2125\" \/>\n\t<meta property=\"og:image:height\" content=\"1417\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/last-day-in-lagos\/\",\"url\":\"https:\/\/www.delpireandco.com\/en\/produit\/last-day-in-lagos\/\",\"name\":\"Last Day in Lagos Marilyn Nance - delpire &amp; co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/#website\"},\"datePublished\":\"2023-05-15T13:45:44+00:00\",\"dateModified\":\"2023-12-23T13:28:40+00:00\",\"description\":\"A focused study on a singular African American photographer, through an archival encounter with her documentation of the landmark FESTAC\u201977 festival. 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