{"id":23218,"date":"2023-05-03T13:51:49","date_gmt":"2023-05-03T11:53:52","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&#038;p=23218"},"modified":"2023-05-03T14:04:40","modified_gmt":"2023-05-03T12:04:40","slug":"sex","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/sex\/","title":{"rendered":"SEX"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":23216,"template":"","meta":[],"product_cat":[86],"product_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"description\" content=\"SEX is the latest record from acclaimed contemporary artists Anne Imhof, Eliza Douglas and composer Billy Bultheel. It was composed during the development of Imhof\u2019s art exhibition of the same name, previously exhibited at Tate Modern, London, The Art Institute of Chicago and Castello di Rivoli Museo d\u2019Arte Contemporanea. Music is core to Imhof\u2019s work. It functions not only as a soundtrack to perform to, but rather that music itself, and the act of performing music, becomes a work of visual merit by its very nature. Imhof\u2019s performance work, in collaboration with Douglas, is often described as visually being a futuristic, nihilist take on pop culture citing metal and grunge aesthetics while making connections to thematics of classical painting. The concert itself becomes a visual language in Imhof\u2019s performative work which sits evenly placed with her painting and sculpture.Imhof, Douglas and Bultheel adapted the songs from how they appeared in the exhibition SEX, with the result being a compelling record that can act as an imaginative accompaniment to the SEX performances, as well as stand alone as a progressive collection of contemporary compositions.SEX references punk, industrial and grunge, while boldly juxtaposing these forms with music of the classical and baroque period. SEXs compositions combine classical formals and orchestration with vocals that are rooted in subcultural traditions, thus beautifully overdrawing and overwriting these classical forms with the composer\u2019s own. Harpsichord and oboe are combined with distorted electric guitar, or exuberant string ensembles with heavy industrial drums.The amalgamation of genres contained in the album was also integral to the choreography of the SEX performance, where waltzes and tangos were contrasted with stage diving, slam dancing and moshpits. What resulted was a surreal ballroom, loaded with desire and aggression. In the same vein, the record fearlessly shapeshifts, blending genres and styles to evoke an impressive array of moods. The voices and instruments crush like operatic electric waves throughout wide rages, laughing, shouting, coming close and being far. Oscillating between fragility and flamboyance, Douglas and Imhof\u2019s versatile voices reinvent themselves from one song to the next, while singing songs of love and hate.The final song on SEX ends with a lyric from the band LOW, All you Pretty People, you\u2019re all gonna die. This ambiguous moment, a prophecy sung in Douglas\u2019 vibrating baritone voice, rattles the listener despite the mundane truth of the statement. This complexity is reflected in the album itself, allowing for an unusual multiplicity of emotions and interpretations with impressive depth and dynamism.The record\u2019s release coincides with the final performance of SEX at Castello di Rivoli in Turin in September 2021 and the opening of Imhof\u2019s Carte Blanche exhibition Nature Mortes currently on view at Palais de Tokyo, Paris through October 2021.The album is mixed &amp; engineered by Ville Haimala and mastered by Rashad Becker, featuring design by ZAK Group and photography by Nadine Fraczkowski.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/sex\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SEX Anne Imhof \/ Collective - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"SEX is the latest record from acclaimed contemporary artists Anne Imhof, Eliza Douglas and composer Billy Bultheel. It was composed during the development of Imhof\u2019s art exhibition of the same name, previously exhibited at Tate Modern, London, The Art Institute of Chicago and Castello di Rivoli Museo d\u2019Arte Contemporanea. Music is core to Imhof\u2019s work. It functions not only as a soundtrack to perform to, but rather that music itself, and the act of performing music, becomes a work of visual merit by its very nature. Imhof\u2019s performance work, in collaboration with Douglas, is often described as visually being a futuristic, nihilist take on pop culture citing metal and grunge aesthetics while making connections to thematics of classical painting. The concert itself becomes a visual language in Imhof\u2019s performative work which sits evenly placed with her painting and sculpture.Imhof, Douglas and Bultheel adapted the songs from how they appeared in the exhibition SEX, with the result being a compelling record that can act as an imaginative accompaniment to the SEX performances, as well as stand alone as a progressive collection of contemporary compositions.SEX references punk, industrial and grunge, while boldly juxtaposing these forms with music of the classical and baroque period. SEXs compositions combine classical formals and orchestration with vocals that are rooted in subcultural traditions, thus beautifully overdrawing and overwriting these classical forms with the composer\u2019s own. Harpsichord and oboe are combined with distorted electric guitar, or exuberant string ensembles with heavy industrial drums.The amalgamation of genres contained in the album was also integral to the choreography of the SEX performance, where waltzes and tangos were contrasted with stage diving, slam dancing and moshpits. What resulted was a surreal ballroom, loaded with desire and aggression. In the same vein, the record fearlessly shapeshifts, blending genres and styles to evoke an impressive array of moods. The voices and instruments crush like operatic electric waves throughout wide rages, laughing, shouting, coming close and being far. Oscillating between fragility and flamboyance, Douglas and Imhof\u2019s versatile voices reinvent themselves from one song to the next, while singing songs of love and hate.The final song on SEX ends with a lyric from the band LOW, All you Pretty People, you\u2019re all gonna die. This ambiguous moment, a prophecy sung in Douglas\u2019 vibrating baritone voice, rattles the listener despite the mundane truth of the statement. This complexity is reflected in the album itself, allowing for an unusual multiplicity of emotions and interpretations with impressive depth and dynamism.The record\u2019s release coincides with the final performance of SEX at Castello di Rivoli in Turin in September 2021 and the opening of Imhof\u2019s Carte Blanche exhibition Nature Mortes currently on view at Palais de Tokyo, Paris through October 2021.The album is mixed &amp; engineered by Ville Haimala and mastered by Rashad Becker, featuring design by ZAK Group and photography by Nadine Fraczkowski.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/produit\/sex\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire &amp; co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-03T12:04:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2023\/04\/sex-imhof-pan-cover.png\" \/>\n\t<meta property=\"og:image:width\" content=\"2125\" \/>\n\t<meta property=\"og:image:height\" content=\"1417\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.delpireandco.com\/#organization\",\"name\":\"delpire & co\",\"url\":\"https:\/\/www.delpireandco.com\/\",\"sameAs\":[\"https:\/\/www.facebook.com\/delpireandco\",\"https:\/\/www.instagram.com\/delpireandco\/\",\"https:\/\/fr.linkedin.com\/company\/delpire-co\",\"https:\/\/www.youtube.com\/c\/delpireco\",\"https:\/\/twitter.com\/DelpireEditeur\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.delpireandco.com\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/logotype-delpire.png\",\"contentUrl\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/logotype-delpire.png\",\"width\":307,\"height\":55,\"caption\":\"delpire & co\"},\"image\":{\"@id\":\"https:\/\/www.delpireandco.com\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.delpireandco.com\/#website\",\"url\":\"https:\/\/www.delpireandco.com\/\",\"name\":\"delpire &amp; co\",\"description\":\"Librairie Photo - \\u00c9diteur - photobooks\",\"publisher\":{\"@id\":\"https:\/\/www.delpireandco.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.delpireandco.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/sex\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2023\/04\/sex-imhof-pan-cover.png\",\"contentUrl\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2023\/04\/sex-imhof-pan-cover.png\",\"width\":2125,\"height\":1417,\"caption\":\"sex-imhof-pan-cover\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/sex\/#webpage\",\"url\":\"https:\/\/www.delpireandco.com\/en\/produit\/sex\/\",\"name\":\"SEX Anne Imhof \/ Collective - delpire &amp; co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/sex\/#primaryimage\"},\"datePublished\":\"2023-05-03T11:53:52+00:00\",\"dateModified\":\"2023-05-03T12:04:40+00:00\",\"description\":\"SEX is the latest record from acclaimed contemporary artists Anne Imhof, Eliza Douglas and composer Billy Bultheel. 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It was composed during the development of Imhof\u2019s art exhibition of the same name, previously exhibited at Tate Modern, London, The Art Institute of Chicago and Castello di Rivoli Museo d\u2019Arte Contemporanea. Music is core to Imhof\u2019s work. It functions not only as a soundtrack to perform to, but rather that music itself, and the act of performing music, becomes a work of visual merit by its very nature. Imhof\u2019s performance work, in collaboration with Douglas, is often described as visually being a futuristic, nihilist take on pop culture citing metal and grunge aesthetics while making connections to thematics of classical painting. The concert itself becomes a visual language in Imhof\u2019s performative work which sits evenly placed with her painting and sculpture.Imhof, Douglas and Bultheel adapted the songs from how they appeared in the exhibition SEX, with the result being a compelling record that can act as an imaginative accompaniment to the SEX performances, as well as stand alone as a progressive collection of contemporary compositions.SEX references punk, industrial and grunge, while boldly juxtaposing these forms with music of the classical and baroque period. SEXs compositions combine classical formals and orchestration with vocals that are rooted in subcultural traditions, thus beautifully overdrawing and overwriting these classical forms with the composer\u2019s own. 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This ambiguous moment, a prophecy sung in Douglas\u2019 vibrating baritone voice, rattles the listener despite the mundane truth of the statement. 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Harpsichord and oboe are combined with distorted electric guitar, or exuberant string ensembles with heavy industrial drums.The amalgamation of genres contained in the album was also integral to the choreography of the SEX performance, where waltzes and tangos were contrasted with stage diving, slam dancing and moshpits. What resulted was a surreal ballroom, loaded with desire and aggression. In the same vein, the record fearlessly shapeshifts, blending genres and styles to evoke an impressive array of moods. The voices and instruments crush like operatic electric waves throughout wide rages, laughing, shouting, coming close and being far. Oscillating between fragility and flamboyance, Douglas and Imhof\u2019s versatile voices reinvent themselves from one song to the next, while singing songs of love and hate.The final song on SEX ends with a lyric from the band LOW, All you Pretty People, you\u2019re all gonna die. 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This ambiguous moment, a prophecy sung in Douglas\u2019 vibrating baritone voice, rattles the listener despite the mundane truth of the statement. 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