{"id":22885,"date":"2023-04-19T16:56:12","date_gmt":"2023-04-19T14:57:21","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&#038;p=22885"},"modified":"2023-06-11T15:10:51","modified_gmt":"2023-06-11T13:10:51","slug":"the-good-the-bad-and-the-ugly","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/the-good-the-bad-and-the-ugly\/","title":{"rendered":"The good, the bad, and the ugly."},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":22883,"template":"","meta":[],"product_cat":[61],"product_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"description\" content=\"\u201cIn 2005 I was invited to participate in a project in Los Angeles called \u2018The Backroom\u2019 initiated by Magali Arriola, Kate Fowle, and Renaud Proch, in which artists were asked to contribute materials related to their research, sources, and interests. Although at that time I was not using collage materials in my sculptures, I had amassed a large collection of magazine pages (mainly from architecture and interior design magazines) that I often flipped through for inspiration. I decided to edit the pages, spending several months arranging and rearranging them as relationships both formal and narrative were revealed. This book is a reproduction of the resulting selection, originally presented in \u2018The Backroom\u2019 in a simple black binder.\u201dVincent Fecteau, San Francisco, 2015American artist Vincent Fecteau has, over the last two decades, forged a singular aesthetic that mixes homespun materials (Popsicle sticks, champagne corks, string, and the like), meticulous craftwork, and a curious formal grammar. By turns wonky, erotic, extraterrestrial, or baroque\u2014and sometimes all of these at once\u2014his sculptures are built from small, slow accumulations in which layering, texture, and the work of the hand are all visible. His exhibition You Have Did the Right Thing When You Put That Skylight In was on display at the Kunsthalle Basel from June 18\u2013August 23, 2015.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/the-good-the-bad-and-the-ugly\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The good, the bad, and the ugly. Vincent Fecteau - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"\u201cIn 2005 I was invited to participate in a project in Los Angeles called \u2018The Backroom\u2019 initiated by Magali Arriola, Kate Fowle, and Renaud Proch, in which artists were asked to contribute materials related to their research, sources, and interests. Although at that time I was not using collage materials in my sculptures, I had amassed a large collection of magazine pages (mainly from architecture and interior design magazines) that I often flipped through for inspiration. I decided to edit the pages, spending several months arranging and rearranging them as relationships both formal and narrative were revealed. This book is a reproduction of the resulting selection, originally presented in \u2018The Backroom\u2019 in a simple black binder.\u201dVincent Fecteau, San Francisco, 2015American artist Vincent Fecteau has, over the last two decades, forged a singular aesthetic that mixes homespun materials (Popsicle sticks, champagne corks, string, and the like), meticulous craftwork, and a curious formal grammar. By turns wonky, erotic, extraterrestrial, or baroque\u2014and sometimes all of these at once\u2014his sculptures are built from small, slow accumulations in which layering, texture, and the work of the hand are all visible. 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