{"id":17873,"date":"2022-11-22T11:29:45","date_gmt":"2022-11-22T10:29:28","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&#038;p=17873"},"modified":"2022-11-22T11:29:29","modified_gmt":"2022-11-22T10:29:29","slug":"biscuits","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/biscuits\/","title":{"rendered":"Biscuits"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":17969,"template":"","meta":[],"product_cat":[61],"product_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"description\" content=\"Biscuits accompanies the first North American survey of the Iranian-born artist\u2019s paintings and animations. Organized by The Museum of Contemporary Art, Los Angeles (MOCA), the exhibition brings together fifteen years of the artist\u2019s incisive work, highlighting the often absurd socio-cultural dynamics enacted within Madani\u2019s art and, more broadly, the potent and combustible relationship between art history and global history. The publication is the most comprehensive on Madani\u2019s work to date. Paintings and animations from Madani\u2019s major series dating from 2005 to the present are represented by approximately eighty plates, which offer a rare look at the rich process by which the artist develops her ribald menagerie of characters. The catalogue also features a conversation between Madani and Ali Subotnick, guest curator of the exhibition, as well as new essays by Rebecca Lowery, MOCA Assistant Curator; Maggie Nelson, acclaimed Los Angeles-based writer; and Evan Calder Williams, Associate Professor at the Center for Curatorial Studies, Bard College. These essays range from personal to critical, encompassing contemplations of motherhood and sexual politics, as well as contextualizing Madani\u2019s work in art history. Co-published with The Museum of Contemporary Art, Los Angeles.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/biscuits\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Biscuits Tala Madani - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"Biscuits accompanies the first North American survey of the Iranian-born artist\u2019s paintings and animations. Organized by The Museum of Contemporary Art, Los Angeles (MOCA), the exhibition brings together fifteen years of the artist\u2019s incisive work, highlighting the often absurd socio-cultural dynamics enacted within Madani\u2019s art and, more broadly, the potent and combustible relationship between art history and global history. The publication is the most comprehensive on Madani\u2019s work to date. Paintings and animations from Madani\u2019s major series dating from 2005 to the present are represented by approximately eighty plates, which offer a rare look at the rich process by which the artist develops her ribald menagerie of characters. The catalogue also features a conversation between Madani and Ali Subotnick, guest curator of the exhibition, as well as new essays by Rebecca Lowery, MOCA Assistant Curator; Maggie Nelson, acclaimed Los Angeles-based writer; and Evan Calder Williams, Associate Professor at the Center for Curatorial Studies, Bard College. These essays range from personal to critical, encompassing contemplations of motherhood and sexual politics, as well as contextualizing Madani\u2019s work in art history. 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