{"id":14706,"date":"2022-08-06T17:08:52","date_gmt":"2022-08-06T15:09:28","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&#038;p=14706"},"modified":"2022-08-06T17:09:29","modified_gmt":"2022-08-06T15:09:29","slug":"champs-de-bataille","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/champs-de-bataille\/","title":{"rendered":"Champs de Bataille"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":15050,"template":"","meta":[],"product_cat":[61],"product_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"description\" content=\"&quot;Why and how to photograph the war?Do we want to inform, to participate in the movement of history? How to tell the unconceivable - images of horror succeed images of horror. The spectacularization of the world by television, the press, the Internet and real-time information has diminished our capital of empathy and our ability to be moved by the misfortune of others.In 2004, with a Deardorff 20 \u00d7 25 camera, I began a series on battlefields. Did these places still tell the story?Without giving in to raw emotion, I wanted to address the conscience, to show, through landscapes that are sometimes insignificant, a &quot;geography&quot; of human madness.I was looking for another way to show a reflection on the image and the reality of war. I started to photograph the battlefields of France, the beaches of the D-Day landings, then those of Europe, our family which has so often been torn apart. My project is ambitious: to show the land on which men fought, to tell the story, to reflect on this thought of Heraclitus:&quot;Conflict \/ Is the father of all beings, the king of all beings \/ To some he gave form to gods, to others to men, \/ He made some slave, others free.&quot; (Fragment 53) &quot;It must be known \/ That conflict is common [or universal] \/ That discord is right \/ And that all things are born and die according to discord and necessity.&quot; (Fragment 80)I have traveled the battlefields of Europe and the Pacific Ocean, Africa, America, Asia. Some sites are duly listed, marked out, others deserve a meticulous work of investigation and localization - some States do not seem to wish to commemorate the defeats or are amnesic... &quot;\u00a0Yan Morvan\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/champs-de-bataille\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Champs de Bataille Yan Morvan - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"&quot;Why and how to photograph the war?Do we want to inform, to participate in the movement of history? How to tell the unconceivable - images of horror succeed images of horror. The spectacularization of the world by television, the press, the Internet and real-time information has diminished our capital of empathy and our ability to be moved by the misfortune of others.In 2004, with a Deardorff 20 \u00d7 25 camera, I began a series on battlefields. Did these places still tell the story?Without giving in to raw emotion, I wanted to address the conscience, to show, through landscapes that are sometimes insignificant, a &quot;geography&quot; of human madness.I was looking for another way to show a reflection on the image and the reality of war. I started to photograph the battlefields of France, the beaches of the D-Day landings, then those of Europe, our family which has so often been torn apart. My project is ambitious: to show the land on which men fought, to tell the story, to reflect on this thought of Heraclitus:&quot;Conflict \/ Is the father of all beings, the king of all beings \/ To some he gave form to gods, to others to men, \/ He made some slave, others free.&quot; (Fragment 53) &quot;It must be known \/ That conflict is common [or universal] \/ That discord is right \/ And that all things are born and die according to discord and necessity.&quot; (Fragment 80)I have traveled the battlefields of Europe and the Pacific Ocean, Africa, America, Asia. 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How to tell the unconceivable - images of horror succeed images of horror. The spectacularization of the world by television, the press, the Internet and real-time information has diminished our capital of empathy and our ability to be moved by the misfortune of others.In 2004, with a Deardorff 20 \\u00d7 25 camera, I began a series on battlefields. Did these places still tell the story?Without giving in to raw emotion, I wanted to address the conscience, to show, through landscapes that are sometimes insignificant, a \\\"geography\\\" of human madness.I was looking for another way to show a reflection on the image and the reality of war. I started to photograph the battlefields of France, the beaches of the D-Day landings, then those of Europe, our family which has so often been torn apart. My project is ambitious: to show the land on which men fought, to tell the story, to reflect on this thought of Heraclitus:\\\"Conflict \/ Is the father of all beings, the king of all beings \/ To some he gave form to gods, to others to men, \/ He made some slave, others free.\\\" (Fragment 53) \\\"It must be known \/ That conflict is common [or universal] \/ That discord is right \/ And that all things are born and die according to discord and necessity.\\\" (Fragment 80)I have traveled the battlefields of Europe and the Pacific Ocean, Africa, America, Asia. 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