{"id":12376,"date":"2022-04-28T09:48:42","date_gmt":"2022-04-28T07:48:42","guid":{"rendered":"https:\/\/www.delpireandco.com\/produit\/twilight-31\/"},"modified":"2022-04-28T13:48:19","modified_gmt":"2022-04-28T11:48:19","slug":"twilight-31","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/twilight-31\/","title":{"rendered":"Twilight #31"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":12371,"template":"","meta":[],"product_cat":[73],"product_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"description\" content=\"St\u00e9phanie Solinas\u2019 new work unfolds on a futuristic territory, both geographical and spiritual. In Le Soleil ni la Mort, whose title is inspired by the maxim of Fran\u00e7ois de La Rochefoucauld \u201cNeither the sun nor death can stare at each other\u201d, the artist questions our quest for immortality through a work juxtaposing a visual experience she had on a plane with her meeting with the leaders Alcor, a cryonics company based on the outskirts of Phoenix, Arizona, in the United States. The series are organized in a quasi-filmic sequence of a twilight moment.Each work is composed of two images, one representing the moon, the other the sun, back to back in a double-sided frame, preventing the reader from looking at the two photographs simultaneously. 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