{"id":12283,"date":"2022-04-25T17:51:17","date_gmt":"2022-04-25T15:51:51","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&#038;p=12283"},"modified":"2022-04-25T17:52:44","modified_gmt":"2022-04-25T15:52:44","slug":"streets-of-boston","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/streets-of-boston\/","title":{"rendered":"Streets of Boston"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":10321,"template":"","meta":[],"product_cat":[61],"product_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"description\" content=\"After an unfortunate event on the streets of Boston in 1976, resulting in a head injury to an angry man while working with a 35mm camera, the American artist Mike Smith traded in his Leica for a Linhof Press 23 camera, and moved away from spontaneous street photography to more intimate portraits.He would go on to produce a detailed record of the inhabitants of Boston\u2019s streets in an inclusive, non-judgmental, and yet direct approach. Smith worked with a large camera with an even larger flat unit, a formidable machine that got people&#039;s attention and held it long enough for him to complete the related tasks to operate it successfully. \u201cThe driving force, above of all, was my whole-hearted embrace of the photography as a way of life. 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Smith worked with a large camera with an even larger flat unit, a formidable machine that got people&#039;s attention and held it long enough for him to complete the related tasks to operate it successfully. \u201cThe driving force, above of all, was my whole-hearted embrace of the photography as a way of life. 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