{"id":10070,"date":"2022-02-14T17:39:53","date_gmt":"2022-02-14T16:40:20","guid":{"rendered":"https:\/\/www.delpireandco.com\/?post_type=product&#038;p=10070"},"modified":"2022-02-14T17:40:20","modified_gmt":"2022-02-14T16:40:20","slug":"1994-2001-a-beginning","status":"publish","type":"product","link":"https:\/\/www.delpireandco.com\/en\/produit\/1994-2001-a-beginning\/","title":{"rendered":"1994-2001 A Beginning"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":10061,"template":"","meta":[],"product_cat":[61],"product_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"description\" content=\"\u201cThe opening picture is a self-portrait from 1994, it is the first one I ever took. There is a road lined by rows of baby pine trees, newly planted after a big fire.\u00a0 I wanted to confuse the image of myself with that of the trees. I prepared the framing and entered it. We were somewhere around Butte, Montana, USA where I spent a summer working as carpenter\u2019s assistant. I had no consciousness of myself \u2013 but a strong desire to have some \u2013 and no knowledge of the use of the photographic medium.&quot;&quot;For many years I have photographed compulsively almost without looking at the result of my shots. I deeply felt that I wasn\u2019t ready to understand what I was doing. I knew what I was trying to do, but it wasn\u2019t clear on how to shape it, I wasn\u2019t ready to communicate my most intimate work. I was restless (and still am), moving here and there, photographing everything to find my place and my space: this omnivorous longing didn\u2019t and doesn\u2019t allow me to stop.&quot;&quot;In 2001 I met Grazia Neri and joined her agency, then in 2003 I was introduced to Christian Caujolle and I entered Agence | Galerie VU\u2019.\u00a0 Altough I felt like an outsider somehow things moved on and I started to make a living with my photography. I was working on structured projects more consciously and precisely (Nero, Paradiso) but I always kept photographing (mostly in black and white) everything that mattered to me in a constant flux without a specific direction, logic or practical goal.&quot;&quot;Despite all this, my every day personal work was still unripe, I tried to put it together and show it in some exhibitions and slideshows without ever getting close to feeling represented by what I was showing. The way I handled my material \u2013 that was growing in quantity and complexity \u2013 was not precise, not pure enough.\u00a0 I decided to put all that on the side, but kept working on a daily basis out of sheer necessity \u2013 without any particular ambition because of my failed expectations.&quot;&quot;In the very end of 2011 my best friend suddenly passed away. This event was a catastrophe and changed my life. After one very tough year I returned to life and finally started to look back at what I had been doing for so many years \u2013 but with new eyes and real determination. Some kind of filter that I had in front of my eyes was finally gone. I understood I needed to grow and have distance to see things because being into something means understand nothing. I have also realised that I have been through specific periods in which I have lived crucial experiences that then brought me in different places. An imaginary map of belonging was finally showing its boundaries.&quot;&quot;The passage of time shapes a new alphabet, a new language, and stimulates a revelation: memory emerges, my experience melts with something I feel is universal. I have decided to work on A LIFE BOOK MADE OF VOLUMES. The brilliant book-designer Eloi Gimeno created the size and graphic shape of the series of volumes starting from the covers which are structured on the concept of time conceived as a line that is not straight but takes the form of a maze. The graphic design is all conceived in black and white.&quot;&quot;I have edited the photographic sequence of the first volume 1994-2001 | A BEGINNING and I\u2019ll do the same on the following ones. There is no rule in terms of length of time: each period (each volume) will be marked by circumstances. The idea of this collection of volumes is not that of a diary but a literary autobiography. Soon I will edit the second volume 2001-2007, then the third one 2007-2012, then on and on...&quot;-Lorenzo Castore\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/produit\/1994-2001-a-beginning\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"1994-2001 A Beginning Lorenzo Castore - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"\u201cThe opening picture is a self-portrait from 1994, it is the first one I ever took. There is a road lined by rows of baby pine trees, newly planted after a big fire.\u00a0 I wanted to confuse the image of myself with that of the trees. I prepared the framing and entered it. We were somewhere around Butte, Montana, USA where I spent a summer working as carpenter\u2019s assistant. I had no consciousness of myself \u2013 but a strong desire to have some \u2013 and no knowledge of the use of the photographic medium.&quot;&quot;For many years I have photographed compulsively almost without looking at the result of my shots. I deeply felt that I wasn\u2019t ready to understand what I was doing. I knew what I was trying to do, but it wasn\u2019t clear on how to shape it, I wasn\u2019t ready to communicate my most intimate work. I was restless (and still am), moving here and there, photographing everything to find my place and my space: this omnivorous longing didn\u2019t and doesn\u2019t allow me to stop.&quot;&quot;In 2001 I met Grazia Neri and joined her agency, then in 2003 I was introduced to Christian Caujolle and I entered Agence | Galerie VU\u2019.\u00a0 Altough I felt like an outsider somehow things moved on and I started to make a living with my photography. I was working on structured projects more consciously and precisely (Nero, Paradiso) but I always kept photographing (mostly in black and white) everything that mattered to me in a constant flux without a specific direction, logic or practical goal.&quot;&quot;Despite all this, my every day personal work was still unripe, I tried to put it together and show it in some exhibitions and slideshows without ever getting close to feeling represented by what I was showing. The way I handled my material \u2013 that was growing in quantity and complexity \u2013 was not precise, not pure enough.\u00a0 I decided to put all that on the side, but kept working on a daily basis out of sheer necessity \u2013 without any particular ambition because of my failed expectations.&quot;&quot;In the very end of 2011 my best friend suddenly passed away. This event was a catastrophe and changed my life. After one very tough year I returned to life and finally started to look back at what I had been doing for so many years \u2013 but with new eyes and real determination. Some kind of filter that I had in front of my eyes was finally gone. I understood I needed to grow and have distance to see things because being into something means understand nothing. I have also realised that I have been through specific periods in which I have lived crucial experiences that then brought me in different places. An imaginary map of belonging was finally showing its boundaries.&quot;&quot;The passage of time shapes a new alphabet, a new language, and stimulates a revelation: memory emerges, my experience melts with something I feel is universal. I have decided to work on A LIFE BOOK MADE OF VOLUMES. The brilliant book-designer Eloi Gimeno created the size and graphic shape of the series of volumes starting from the covers which are structured on the concept of time conceived as a line that is not straight but takes the form of a maze. The graphic design is all conceived in black and white.&quot;&quot;I have edited the photographic sequence of the first volume 1994-2001 | A BEGINNING and I\u2019ll do the same on the following ones. There is no rule in terms of length of time: each period (each volume) will be marked by circumstances. The idea of this collection of volumes is not that of a diary but a literary autobiography. Soon I will edit the second volume 2001-2007, then the third one 2007-2012, then on and on...&quot;-Lorenzo Castore\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/produit\/1994-2001-a-beginning\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire &amp; co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/1994-2001-a-beginning-Lorenzo-Castore-Lartiere-Edizioni-cover-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1707\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.delpireandco.com\/#organization\",\"name\":\"delpire & co\",\"url\":\"https:\/\/www.delpireandco.com\/\",\"sameAs\":[\"https:\/\/www.facebook.com\/delpireandco\",\"https:\/\/www.instagram.com\/delpireandco\/\",\"https:\/\/fr.linkedin.com\/company\/delpire-co\",\"https:\/\/www.youtube.com\/c\/delpireco\",\"https:\/\/twitter.com\/DelpireEditeur\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.delpireandco.com\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/logotype-delpire.png\",\"contentUrl\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/logotype-delpire.png\",\"width\":307,\"height\":55,\"caption\":\"delpire & co\"},\"image\":{\"@id\":\"https:\/\/www.delpireandco.com\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.delpireandco.com\/#website\",\"url\":\"https:\/\/www.delpireandco.com\/\",\"name\":\"delpire &amp; co\",\"description\":\"Librairie Photo - \\u00c9diteur - photobooks\",\"publisher\":{\"@id\":\"https:\/\/www.delpireandco.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.delpireandco.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/1994-2001-a-beginning\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/1994-2001-a-beginning-Lorenzo-Castore-Lartiere-Edizioni-cover-scaled.jpg\",\"contentUrl\":\"https:\/\/www.delpireandco.com\/wp-content\/uploads\/2022\/02\/1994-2001-a-beginning-Lorenzo-Castore-Lartiere-Edizioni-cover-scaled.jpg\",\"width\":\"2560\",\"height\":\"1707\",\"caption\":\"1994-2001-a-beginning-Lorenzo-Castore-Lartiere-Edizioni-cover\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/1994-2001-a-beginning\/#webpage\",\"url\":\"https:\/\/www.delpireandco.com\/en\/produit\/1994-2001-a-beginning\/\",\"name\":\"1994-2001 A Beginning Lorenzo Castore - delpire &amp; co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/produit\/1994-2001-a-beginning\/#primaryimage\"},\"datePublished\":\"2022-02-14T16:40:20+00:00\",\"dateModified\":\"2022-02-14T16:40:20+00:00\",\"description\":\"\\u201cThe opening picture is a self-portrait from 1994, it is the first one I ever took. There is a road lined by rows of baby pine trees, newly planted after a big fire.\\u00a0 I wanted to confuse the image of myself with that of the trees. I prepared the framing and entered it. We were somewhere around Butte, Montana, USA where I spent a summer working as carpenter\\u2019s assistant. I had no consciousness of myself \\u2013 but a strong desire to have some \\u2013 and no knowledge of the use of the photographic medium.\\\"\\\"For many years I have photographed compulsively almost without looking at the result of my shots. I deeply felt that I wasn\\u2019t ready to understand what I was doing. I knew what I was trying to do, but it wasn\\u2019t clear on how to shape it, I wasn\\u2019t ready to communicate my most intimate work. I was restless (and still am), moving here and there, photographing everything to find my place and my space: this omnivorous longing didn\\u2019t and doesn\\u2019t allow me to stop.\\\"\\\"In 2001 I met Grazia Neri and joined her agency, then in 2003 I was introduced to Christian Caujolle and I entered Agence | Galerie VU\\u2019.\\u00a0 Altough I felt like an outsider somehow things moved on and I started to make a living with my photography. I was working on structured projects more consciously and precisely (Nero, Paradiso) but I always kept photographing (mostly in black and white) everything that mattered to me in a constant flux without a specific direction, logic or practical goal.\\\"\\\"Despite all this, my every day personal work was still unripe, I tried to put it together and show it in some exhibitions and slideshows without ever getting close to feeling represented by what I was showing. The way I handled my material \\u2013 that was growing in quantity and complexity \\u2013 was not precise, not pure enough.\\u00a0 I decided to put all that on the side, but kept working on a daily basis out of sheer necessity \\u2013 without any particular ambition because of my failed expectations.\\\"\\\"In the very end of 2011 my best friend suddenly passed away. This event was a catastrophe and changed my life. After one very tough year I returned to life and finally started to look back at what I had been doing for so many years \\u2013 but with new eyes and real determination. Some kind of filter that I had in front of my eyes was finally gone. I understood I needed to grow and have distance to see things because being into something means understand nothing. I have also realised that I have been through specific periods in which I have lived crucial experiences that then brought me in different places. An imaginary map of belonging was finally showing its boundaries.\\\"\\\"The passage of time shapes a new alphabet, a new language, and stimulates a revelation: memory emerges, my experience melts with something I feel is universal. I have decided to work on A LIFE BOOK MADE OF VOLUMES. The brilliant book-designer Eloi Gimeno created the size and graphic shape of the series of volumes starting from the covers which are structured on the concept of time conceived as a line that is not straight but takes the form of a maze. The graphic design is all conceived in black and white.\\\"\\\"I have edited the photographic sequence of the first volume 1994-2001 | A BEGINNING and I\\u2019ll do the same on the following ones. There is no rule in terms of length of time: each period (each volume) will be marked by circumstances. The idea of this collection of volumes is not that of a diary but a literary autobiography. 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There is a road lined by rows of baby pine trees, newly planted after a big fire.\u00a0 I wanted to confuse the image of myself with that of the trees. I prepared the framing and entered it. We were somewhere around Butte, Montana, USA where I spent a summer working as carpenter\u2019s assistant. I had no consciousness of myself \u2013 but a strong desire to have some \u2013 and no knowledge of the use of the photographic medium.\"\"For many years I have photographed compulsively almost without looking at the result of my shots. I deeply felt that I wasn\u2019t ready to understand what I was doing. I knew what I was trying to do, but it wasn\u2019t clear on how to shape it, I wasn\u2019t ready to communicate my most intimate work. I was restless (and still am), moving here and there, photographing everything to find my place and my space: this omnivorous longing didn\u2019t and doesn\u2019t allow me to stop.\"\"In 2001 I met Grazia Neri and joined her agency, then in 2003 I was introduced to Christian Caujolle and I entered Agence | Galerie VU\u2019.\u00a0 Altough I felt like an outsider somehow things moved on and I started to make a living with my photography. I was working on structured projects more consciously and precisely (Nero, Paradiso) but I always kept photographing (mostly in black and white) everything that mattered to me in a constant flux without a specific direction, logic or practical goal.\"\"Despite all this, my every day personal work was still unripe, I tried to put it together and show it in some exhibitions and slideshows without ever getting close to feeling represented by what I was showing. The way I handled my material \u2013 that was growing in quantity and complexity \u2013 was not precise, not pure enough.\u00a0 I decided to put all that on the side, but kept working on a daily basis out of sheer necessity \u2013 without any particular ambition because of my failed expectations.\"\"In the very end of 2011 my best friend suddenly passed away. This event was a catastrophe and changed my life. After one very tough year I returned to life and finally started to look back at what I had been doing for so many years \u2013 but with new eyes and real determination. Some kind of filter that I had in front of my eyes was finally gone. I understood I needed to grow and have distance to see things because being into something means understand nothing. I have also realised that I have been through specific periods in which I have lived crucial experiences that then brought me in different places. 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There is a road lined by rows of baby pine trees, newly planted after a big fire.\u00a0 I wanted to confuse the image of myself with that of the trees. I prepared the framing and entered it. We were somewhere around Butte, Montana, USA where I spent a summer working as carpenter\u2019s assistant. I had no consciousness of myself \u2013 but a strong desire to have some \u2013 and no knowledge of the use of the photographic medium.\"\"For many years I have photographed compulsively almost without looking at the result of my shots. I deeply felt that I wasn\u2019t ready to understand what I was doing. I knew what I was trying to do, but it wasn\u2019t clear on how to shape it, I wasn\u2019t ready to communicate my most intimate work. 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The way I handled my material \u2013 that was growing in quantity and complexity \u2013 was not precise, not pure enough.\u00a0 I decided to put all that on the side, but kept working on a daily basis out of sheer necessity \u2013 without any particular ambition because of my failed expectations.\"\"In the very end of 2011 my best friend suddenly passed away. This event was a catastrophe and changed my life. After one very tough year I returned to life and finally started to look back at what I had been doing for so many years \u2013 but with new eyes and real determination. Some kind of filter that I had in front of my eyes was finally gone. I understood I needed to grow and have distance to see things because being into something means understand nothing. I have also realised that I have been through specific periods in which I have lived crucial experiences that then brought me in different places. An imaginary map of belonging was finally showing its boundaries.\"\"The passage of time shapes a new alphabet, a new language, and stimulates a revelation: memory emerges, my experience melts with something I feel is universal. I have decided to work on A LIFE BOOK MADE OF VOLUMES. The brilliant book-designer Eloi Gimeno created the size and graphic shape of the series of volumes starting from the covers which are structured on the concept of time conceived as a line that is not straight but takes the form of a maze. The graphic design is all conceived in black and white.\"\"I have edited the photographic sequence of the first volume 1994-2001 | A BEGINNING and I\u2019ll do the same on the following ones. There is no rule in terms of length of time: each period (each volume) will be marked by circumstances. The idea of this collection of volumes is not that of a diary but a literary autobiography. Soon I will edit the second volume 2001-2007, then the third one 2007-2012, then on and on...\"-Lorenzo Castore","breadcrumb":{"@id":"https:\/\/www.delpireandco.com\/en\/produit\/1994-2001-a-beginning\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.delpireandco.com\/en\/produit\/1994-2001-a-beginning\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.delpireandco.com\/en\/produit\/1994-2001-a-beginning\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Shop","item":"https:\/\/www.delpireandco.com\/en\/shop\/"},{"@type":"ListItem","position":2,"name":"1994-2001 A Beginning"}]}]}},"_links":{"self":[{"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/product\/10070"}],"collection":[{"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/types\/product"}],"version-history":[{"count":0,"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/product\/10070\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/media\/10061"}],"wp:attachment":[{"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/media?parent=10070"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/product_cat?post=10070"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.delpireandco.com\/en\/wp-json\/wp\/v2\/product_tag?post=10070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}