{"id":45130,"date":"2024-11-27T17:56:31","date_gmt":"2024-11-27T16:56:31","guid":{"rendered":"https:\/\/www.delpireandco.com\/?p=45130"},"modified":"2024-11-28T10:41:45","modified_gmt":"2024-11-28T09:41:45","slug":"alexandre-silberman-nature","status":"publish","type":"post","link":"https:\/\/www.delpireandco.com\/en\/alexandre-silberman-nature\/","title":{"rendered":"Alexandre Silberman \u2014 &#8220;NATURE&#8221;"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":866,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Alexandre Silberman \u2014 &quot;NATURE&quot; - delpire &amp; co<\/title>\n<meta name=\"description\" content=\"\u201cEvery lingering remnant in adults\u2019 memory of the atmosphere of enchanted forests, every last vestige in them of belief in miracles, every breath of theirs which still inhales a perfume of fairytales reveals itself beneath the wretched, crazed disguise of these feebly invented landscapes\u201d \u2014 Louis Aragon,\u00a0Paris PeasantHere, not far from Paris, were marshes, which became a vegetable plain of one of the largest agricultural territories in Europe.\u2028Between 1952 and 1972, gypsies from Andalusia settled here, as well as Roma from Eastern Europe, Portuguese, Algerians, Moroccans, Tunisians, Yugoslavians, and a few French families, in insalubrious conditions, in what was known as the Campa slum. Now, one seems to feel there this \u00ab\u00a0feeling of nature\u00a0\u00bb dear to the surrealists, and that the peasant of Aragon experienced when he walked through the park of Buttes-Chaumont, north of the concomitant capital.Like the latter, the Parc de La Courneuve was invented and built from scratch. Spread over five communes, it imposes its opulent landscape on the rough and dry of the Paris suburbs. Vast plains, belvederes, mounts and pyramids: everything is aimed at re-appropriating a perspective free from the housing blocks that streak the viewer\u2019s eyes just a few steps away, and which here can only be discerned from above, rendered minuscule by the strength of the mineral vantage points.If there is NATURE, it is in a double language game: first, the one fenced, arranged, structured, by the landscapers and then reinterpreted by the occupants. Here, dense vegetation and stone sculptures, dark woods and clear lines, modern practices and the primitive power of trees are confronted and mixed. Through the constitutive duality of the park, the inner strength of the beings who cross it is revealed, their nature in a second sense. An enclosed space, but a space of freedom, it creates its autonomy and its aesthetic independence at the same time by its porosity \u2013 the entrance is free \u2013 and its opacity.In the silence of the place, contemporaneity sinks into this hybrid space as into an original reverse, creating an asynchronous picture where reality becomes fable. And then, as in the words of Aragon, \u201creflect faithfully the vast sentimental regions where the city dwellers wild dreams stir\u201d.Alexandre Silberman (b. 1983) is a filmmaker and photographer based in Paris. With a degree in philosophy and communications, he mainly develops long-term documentary projects. In December 2024, he published his first monograph, NATURE.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/alexandre-silberman-nature\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Alexandre Silberman \u2014 &quot;NATURE&quot; - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"\u201cEvery lingering remnant in adults\u2019 memory of the atmosphere of enchanted forests, every last vestige in them of belief in miracles, every breath of theirs which still inhales a perfume of fairytales reveals itself beneath the wretched, crazed disguise of these feebly invented landscapes\u201d \u2014 Louis Aragon,\u00a0Paris PeasantHere, not far from Paris, were marshes, which became a vegetable plain of one of the largest agricultural territories in Europe.\u2028Between 1952 and 1972, gypsies from Andalusia settled here, as well as Roma from Eastern Europe, Portuguese, Algerians, Moroccans, Tunisians, Yugoslavians, and a few French families, in insalubrious conditions, in what was known as the Campa slum. Now, one seems to feel there this \u00ab\u00a0feeling of nature\u00a0\u00bb dear to the surrealists, and that the peasant of Aragon experienced when he walked through the park of Buttes-Chaumont, north of the concomitant capital.Like the latter, the Parc de La Courneuve was invented and built from scratch. Spread over five communes, it imposes its opulent landscape on the rough and dry of the Paris suburbs. Vast plains, belvederes, mounts and pyramids: everything is aimed at re-appropriating a perspective free from the housing blocks that streak the viewer\u2019s eyes just a few steps away, and which here can only be discerned from above, rendered minuscule by the strength of the mineral vantage points.If there is NATURE, it is in a double language game: first, the one fenced, arranged, structured, by the landscapers and then reinterpreted by the occupants. Here, dense vegetation and stone sculptures, dark woods and clear lines, modern practices and the primitive power of trees are confronted and mixed. Through the constitutive duality of the park, the inner strength of the beings who cross it is revealed, their nature in a second sense. An enclosed space, but a space of freedom, it creates its autonomy and its aesthetic independence at the same time by its porosity \u2013 the entrance is free \u2013 and its opacity.In the silence of the place, contemporaneity sinks into this hybrid space as into an original reverse, creating an asynchronous picture where reality becomes fable. And then, as in the words of Aragon, \u201creflect faithfully the vast sentimental regions where the city dwellers wild dreams stir\u201d.Alexandre Silberman (b. 1983) is a filmmaker and photographer based in Paris. With a degree in philosophy and communications, he mainly develops long-term documentary projects. In December 2024, he published his first monograph, NATURE.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.delpireandco.com\/en\/alexandre-silberman-nature\/\" \/>\n<meta property=\"og:site_name\" content=\"delpire &amp; co\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/delpireandco\" \/>\n<meta property=\"article:published_time\" content=\"2024-11-27T16:56:31+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-11-28T09:41:45+00:00\" \/>\n<meta name=\"author\" content=\"Leeloo Luchaire\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@DelpireEditeur\" \/>\n<meta name=\"twitter:site\" content=\"@DelpireEditeur\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Leeloo Luchaire\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/alexandre-silberman-nature\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/alexandre-silberman-nature\/\"},\"author\":{\"name\":\"Leeloo Luchaire\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/#\/schema\/person\/209550f1d8320ab9c9529b6e2bc872cf\"},\"headline\":\"Alexandre Silberman \u2014 &#8220;NATURE&#8221;\",\"datePublished\":\"2024-11-27T16:56:31+00:00\",\"dateModified\":\"2024-11-28T09:41:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/alexandre-silberman-nature\/\"},\"wordCount\":3,\"publisher\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/#organization\"},\"articleSection\":[\"At the bookshop\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.delpireandco.com\/en\/alexandre-silberman-nature\/\",\"url\":\"https:\/\/www.delpireandco.com\/en\/alexandre-silberman-nature\/\",\"name\":\"Alexandre Silberman \u2014 \\\"NATURE\\\" - delpire &amp; co\",\"isPartOf\":{\"@id\":\"https:\/\/www.delpireandco.com\/en\/#website\"},\"datePublished\":\"2024-11-27T16:56:31+00:00\",\"dateModified\":\"2024-11-28T09:41:45+00:00\",\"description\":\"\u201cEvery lingering remnant in adults\u2019 memory of the atmosphere of enchanted forests, every last vestige in them of belief in miracles, every breath of theirs which still inhales a perfume of fairytales reveals itself beneath the wretched, crazed disguise of these feebly invented landscapes\u201d \u2014 Louis Aragon,\u00a0Paris PeasantHere, not far from Paris, were marshes, which became a vegetable plain of one of the largest agricultural territories in Europe.\\u2028Between 1952 and 1972, gypsies from Andalusia settled here, as well as Roma from Eastern Europe, Portuguese, Algerians, Moroccans, Tunisians, Yugoslavians, and a few French families, in insalubrious conditions, in what was known as the Campa slum. Now, one seems to feel there this \u00ab\u00a0feeling of nature\u00a0\u00bb dear to the surrealists, and that the peasant of Aragon experienced when he walked through the park of Buttes-Chaumont, north of the concomitant capital.Like the latter, the Parc de La Courneuve was invented and built from scratch. Spread over five communes, it imposes its opulent landscape on the rough and dry of the Paris suburbs. Vast plains, belvederes, mounts and pyramids: everything is aimed at re-appropriating a perspective free from the housing blocks that streak the viewer\u2019s eyes just a few steps away, and which here can only be discerned from above, rendered minuscule by the strength of the mineral vantage points.If there is NATURE, it is in a double language game: first, the one fenced, arranged, structured, by the landscapers and then reinterpreted by the occupants. 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