{"id":22163,"date":"2023-04-12T16:35:15","date_gmt":"2023-04-12T14:35:15","guid":{"rendered":"https:\/\/www.delpireandco.com\/?p=22163"},"modified":"2023-05-09T14:14:11","modified_gmt":"2023-05-09T12:14:11","slug":"luc-debraine-les-garde-temps","status":"publish","type":"post","link":"https:\/\/www.delpireandco.com\/en\/luc-debraine-les-garde-temps\/","title":{"rendered":"Luc Debraine, &#8220;Les Garde-Temps&#8221;"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":188,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[33],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"description\" content=\"delpire &amp; co is pleased to welcome Luc Debraine, for the presentation and signing of his book Les Garde-Temps, published by Noir sur Blanc, with the physicist and philosopher \u00c9tienne Klein, author of the book&#039;s foreword.Timepieces are clocks that keep precious time: the time of memory. They have been stopped dead in their tracks by natural or human disasters, from the Titanic to Hiroshima, from Buchenwald to the World Trade Center towers. They still display fateful moments. Some were stopped voluntarily to mark a revolution, a liberation, a singular event. The timepieces are sometimes out of order, but their silence speaks volumes about an extraordinary destiny. They are kept in public places, museums or private homes. They testify to a will: not to forget.Through photography and text, Luc Debraine composes a fresco of these silent witnesses of history. He takes advantage of his quest, conducted for two decades throughout the world, to question the profound nature of photography and time. Taking a still image of a stopped clock is like suspending time twice. The gesture allows us to understand that photography and clock-making, two arts of time, have much in common. Roland Barthes said it: a camera is a clock to see.Director of the Swiss Museum of the Camera in Vevey, Switzerland, journalist, Luc Debraine\u00a0 is an exhibition curator and lecturer at the University of Neuch\u00e2tel. He has worked in French-speaking Switzerland for Le Nouveau Quotidien and Le Temps, as well as for the magazine L&#039;Hebdo. He collaborates with Le Quotidien de l&#039;Art in France, as well as with the \u00c9cole Polytechnique F\u00e9d\u00e9rale and the University of Lausanne.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.delpireandco.com\/en\/luc-debraine-les-garde-temps\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Luc Debraine, &quot;Les Garde-Temps&quot; - delpire &amp; co\" \/>\n<meta property=\"og:description\" content=\"delpire &amp; co is pleased to welcome Luc Debraine, for the presentation and signing of his book Les Garde-Temps, published by Noir sur Blanc, with the physicist and philosopher \u00c9tienne Klein, author of the book&#039;s foreword.Timepieces are clocks that keep precious time: the time of memory. They have been stopped dead in their tracks by natural or human disasters, from the Titanic to Hiroshima, from Buchenwald to the World Trade Center towers. They still display fateful moments. Some were stopped voluntarily to mark a revolution, a liberation, a singular event. The timepieces are sometimes out of order, but their silence speaks volumes about an extraordinary destiny. They are kept in public places, museums or private homes. They testify to a will: not to forget.Through photography and text, Luc Debraine composes a fresco of these silent witnesses of history. He takes advantage of his quest, conducted for two decades throughout the world, to question the profound nature of photography and time. Taking a still image of a stopped clock is like suspending time twice. The gesture allows us to understand that photography and clock-making, two arts of time, have much in common. Roland Barthes said it: a camera is a clock to see.Director of the Swiss Museum of the Camera in Vevey, Switzerland, journalist, Luc Debraine\u00a0 is an exhibition curator and lecturer at the University of Neuch\u00e2tel. He has worked in French-speaking Switzerland for Le Nouveau Quotidien and Le Temps, as well as for the magazine L&#039;Hebdo. 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They have been stopped dead in their tracks by natural or human disasters, from the Titanic to Hiroshima, from Buchenwald to the World Trade Center towers. They still display fateful moments. Some were stopped voluntarily to mark a revolution, a liberation, a singular event. The timepieces are sometimes out of order, but their silence speaks volumes about an extraordinary destiny. They are kept in public places, museums or private homes. They testify to a will: not to forget.Through photography and text, Luc Debraine composes a fresco of these silent witnesses of history. He takes advantage of his quest, conducted for two decades throughout the world, to question the profound nature of photography and time. Taking a still image of a stopped clock is like suspending time twice. The gesture allows us to understand that photography and clock-making, two arts of time, have much in common. Roland Barthes said it: a camera is a clock to see.Director of the Swiss Museum of the Camera in Vevey, Switzerland, journalist, Luc Debraine\\u00a0 is an exhibition curator and lecturer at the University of Neuch\\u00e2tel. He has worked in French-speaking Switzerland for Le Nouveau Quotidien and Le Temps, as well as for the magazine L'Hebdo. 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