Bravo

Bravo situates itself in the liminal space of the Rio Bravo, a site of perpetual tension and migration where identity and geography intersect. Focusing on a 270-kilometre stretch of the river, Romero Beltrán’s Bravo constructs an elusive visual narrative where the river itself becomes a silent protagonist, shaping the lives of those who approach it but rarely appearing in the frame. Through stark portraits, austere interiors, and scarred landscapes, Bravo captures the suspended time of migration as his subjects wait, sometimes for years, in the shadow of an uncertain crossing.

Divided into three chapters—Endings, Bodies, and Breaches—Romero Beltrán’s inscrutable documentary approach challenges the semiotics of classification, enclosure, definition, and identification in his visual aesthetics that mirror the suppressed and controlled notions of identity at the border