Doctor of art history and curator in charge of exhibitions at Photo Elysée (Lausanne), Pauline Martin has published L’Évidence, le vide, la vie. La photographie face à ses lacunes (Ithaque, 2017) and L’Œil photographique de Daniel Arasse. Théories et pratiques d’un regard (Fage éditions, 2012). She has also curated the exhibitions “reGeneration4. The challenges for photography and its museum of tomorrow” (2020) and “Anonymous: Urban life in contemporary photography” (2016).
