Henri Cartier-Bresson and Italy

Through some 200 photographs and numerous documents – newspapers, magazines, volumes, letters – this catalog presents, for the first time, an exhaustive and in-depth account of the relationship between the man who has been called “the eye of the century” and Italy, tracing the stages of a special relationship that began in the 1930s and continued until Henri Cartier-Bresson gave up photography in the 1970s.